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Opens暫無內容with暫無內容the暫無內容lovely暫無內容Pin暫無內容dreaming暫無內容about暫無內容great暫無內容sex暫無內容with暫無內容a暫無內容bloke暫無內容whom暫無內容she暫無內容soon暫無內容meets暫無內容in暫無內容real暫無內容life暫無內容–暫無內容he’s暫無內容a暫無內容security暫無內容guard暫無內容at暫無內容her暫無內容apartment暫無內容block.暫無內容There’s暫無內容also暫無內容a暫無內容group暫無內容of暫無內容voyeur暫無內容cops暫無內容and暫無內容their暫無內容captain暫無內容Fatty暫無內容Pang暫無內容who暫無內容is暫無內容always暫無內容losing暫無內容on暫無內容the暫無內容racehorses.暫無內容Fatty暫無內容spies暫無內容on暫無內容Pin暫無內容in暫無內容the暫無內容shower暫無內容one暫無內容day暫無內容and暫無內容steals暫無內容her暫無內容red暫無內容underwear.暫無內容Pin暫無內容keeps暫無內容having暫無內容lustful暫無內容fantasies暫無內容and暫無內容sometimes暫無內容has暫無內容sex暫無內容wi...
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連姆·尼森,安東尼奧·班德拉斯,勞拉·琳妮,蘿瑪拉·嘉瑞,Abigail Canton戰斧骨
帕特里克·威爾森,庫爾特·拉塞爾,莉莉·西蒙斯,肖恩·楊,扎恩·邁克拉農,馬修·福克斯,大衛·阿奎特,凱瑟琳·莫里斯,希德·黑格,理查德·詹金斯,邁克爾·帕爾,杰米·埃克托,詹姆斯·托根飛虎神爪
程琢,孫文雪,劉澤宇,任宇,劉宇妖星哥拉斯
池部良,白川由美,久保明,水野久美,平田昭彥兩張彩票
多里安·波古策,德拉戈什·布庫爾,亞歷山德魯-維克多·內姆特亞努,諾拉·庫普辛庫,安迪·瓦斯盧亞努,尤安娜·弗洛倫蒂娜·迪米特流,米爾卡·巴努,伊萊亞斯·費金,艾麗莎·卡林,伊琳娜·諾阿特斯,亞歷山德魯·帕帕多波爾,謝爾班·帕夫盧尸骨袋1
皮爾斯·布魯斯南,梅利莎·喬治,安娜貝絲·吉什,阿尼卡·諾尼·羅斯,馬特·弗里沃,杰森·普雷斯利,凱特琳·卡邁克爾,彼得·麥克內爾,威廉·沙勒特,黛博拉·艾倫,Gary Levert,Joel Freckelton,喬迪·布朗導演精選
利欲兩心
一次偶然中,布蘭登(馬修·麥康納 Matthew McConaughey 飾)發現自己竟然擁有一項如此神奇的特異功能——他能夠準確預測出每周末舉行的橄欖球比賽的結果。這一能力徹底扭轉了布蘭登失意而又頹廢的生活,同時也將他卷入了金錢和利益所構造的漩渦之中。 沃特(阿爾·帕西諾 Al Pacino 飾)經營著一家體育顧問公司,布蘭登的神奇能力在他的眼中無異于是一根點石成金的魔杖。野心勃勃的他找到了布蘭登,千方百計的說服了后者加入了他的公司。從此,沃特的事業扶搖直上,布蘭登也在沃特的身上找到了親情和友情。但隨著布蘭登的能力的逐漸流逝,他和沃特之間的關系也開始了動搖。兩人心中都有各自的想法,而最終的贏家只有一個。
偶像活動!×美妙天堂 THE MOVIE -相遇的奇跡!-
《10周年記念!》 大人気アイドル 奇跡のコラボレーション!! “10年分の愛”と“10年分のありがとう”をいっぱいに詰め込んだ、夢のプロジェクト始動! 新作ストーリー&新作ライブの完全オリジナル映畫
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.