桃色香居

評(píng)分：9.3 播放：26萬 更新：2026-04-23
主演： 童鈴 李月仙 

洪景龍的東方影視公司，計(jì)劃送旗下紅星李麗花與日本大手藝能會(huì)社合作，但其社長剛史和洪因條件談不攏，而麗花與剛卻擦出火花，暗中幽會(huì)。后剛接獲一神秘女子電話，聲稱掌握剛罪證，令剛潛意識(shí)精神分裂爆發(fā)，更為永遠(yuǎn)占有麗花而把她殺掉。洪知后為了復(fù)仇，把剛力捧女星百花殺死，剛與洪因此拼斗，而剛之妻明美見剛倒地后，乘機(jī)偷襲洪，后剛被刑警逮捕，查出令剛精神分裂的神秘女子，竟就是其妻明美

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Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster