感受大海的時刻

★ 8.2 播放:29萬 更新:2026-04-28

描寫;愛與性 ;的《感受大海的時刻》改編自中澤桂曾榮獲;群像新人文學獎的作品,講述不安定且多愁善感的少女時期的異性體驗,以及纖細而鮮明的感性的母女對立故事。   

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劇情簡介

描寫;愛與性 ;的《感受大海的時刻》改編自中澤桂曾榮獲;群像新人文學獎的作品,講述不安定且多愁善感的少女時期的異性體驗,以及纖細而鮮明的感性的母女對立故事。   

導演精選

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

定格惡魔

  一位定格動畫師,在失去專橫的母親后,正在努力控制自己內(nèi)心的的惡魔。她孤身一人,開始創(chuàng)作一部令人毛骨悚然的定格動畫電影,這部電影很快就成為她理智的戰(zhàn)場。當她的精神開始崩潰時,她的動畫電影中的角色有了自己的意志,她釋放的想象力威脅著摧毀她的生活。

東北奇妙故事

哲學系學生肖墨到殯儀館實習,試圖探尋“生死”答案,卻遭遇導師陳輝離奇死亡。村里流傳一口“應聲井”可讓人起死回生。陳輝之子死于事故后,陳輝在古井許愿,次日離奇失蹤。肖墨隨神秘殯葬師老白頭返村調(diào)查,老白頭以科學逐一破解“靈異”現(xiàn)象:井中尸體、養(yǎng)女上吊、濃霧里的鬼打墻等怪事背后皆是精心布局的騙局。當執(zhí)念遭遇科學,謊言被真相撕裂,眾人方知真正的深淵不在井里,而在人心。