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守株人
楊紫,駱達華,杜奕衡,劉筱筱,林雪,林妙可該片是心理懸疑風格的影片。八年前,一場古董事件導致了相依為命的奶奶死于非命,正值妙齡的佳佳(楊紫 飾)又不得不面對父母離異的現(xiàn)實。家庭的破裂、死去奶奶的噩夢纏繞,好友的突然癱瘓,而此刻令人毛骨悚然的文物販子伺機出動,各種不解之物正等待時機向她發(fā)起進攻,直到她變成了守株人……
利刃出鞘2
丹尼爾·克雷格,愛德華·諾頓,加奈兒·夢奈,凱瑟琳·哈恩,小萊斯利·奧多姆,凱特·哈德森,戴夫·巴蒂斯塔,杰西卡·亨維克,瑪?shù)铝铡た巳R因,諾阿·西甘,杰姬·霍夫曼,達拉斯·羅伯特斯,伊桑·霍克,休·格蘭特,史蒂芬·桑德海姆,安吉拉·蘭斯伯瑞,娜塔莎·雷昂,卡里姆·阿卜杜爾-賈巴爾,塞蕾娜·威廉姆斯,馬友友,約瑟夫·高登-萊維特,丹·查里頓,艾迪·戈羅杰茨基,亞當·達文波特,詹姆斯·佩頓,杰克·塔珀科技業(yè)億萬富翁邁爾斯·布朗(愛德華·諾頓 飾)邀了幾位感情深厚的摯友到他的希臘私人小島渡假,不料卻有人命喪于此!這座世外桃源原來并不如想像中美好。命案既出,大偵探布蘭科(丹尼爾·克雷格飾)此時不出馬更待何時?且看他如何解開重重謎團!
少林傳人
狄龍,爾冬升,白彪,艾飛,詹森野心勃勃的九王爺(白彪 飾)企圖謀權篡位,落敗的皇帝(艾飛 飾)命令兩名侍衛(wèi)將兩個皇子分別抱走,以延續(xù)皇家血脈。大太子(狄龍 飾)被送到了少林寺,三個瘋瘋癲癲的和尚收留了他,替他取名道行,傳授其武功。二太子(爾冬升 飾)則被丞相(谷峰 飾)收為義子,改名為王子泰。 轉眼多年過去,某日,王子泰來到了少林寺,偶然遇見了道行,盡管他們彼此都不知道對方的身份和身世,但兩兄弟還是一見如故,很快就結下了堅實的友誼。九王爺買通了寺廟內(nèi)的僧人,想要將道行和王子泰斬草除根,無奈之中,兩人逃出了少林,踏上了充滿危險的未知之旅。
嚦咕嚦咕新年財
劉德華,劉青云,古天樂,梁詠琪,應采兒,王天林,湯盈盈,黃文慧,龍?zhí)焐?洪偉良,阮令濤,西川孝和,鄒凱光德華(劉德華飾)喜歡打牌,以打牌為生的他出名好牌技好牌品,與他相戀多年的詠琪(梁詠琪飾)因為牌品差,始終沒能與德華結為連理,令她頓足。德華的弟弟天樂(古天樂飾)知道哥哥要以打牌為生養(yǎng)活患有癡呆癥的母親和正在讀書的自己,決定跟青云(劉青云飾)打牌比試,誰知連連落敗。 一次牌局中,詠琪不甘被德華以牌品的問題多次推搪婚約,便咀咒他從此“一世摸爛牌”,跟著同樣拜師不成的青云離開了。 咀咒真的靈驗了,使德華家道中落,但一向樂觀的他深信自己的“好朋友”會回來的。在弟弟公司舉行的麻將大賽中一路穩(wěn)打穩(wěn)扎,與青云再次對壘,最后能否獲勝呢?
母親往事
米洛·馬查多·格拉納,萊拉·貝蒂,約瑟芬·約比,喬納森·科恩,安娜·勒尼,讓娜·巴利巴爾,雪兒薇·瓦丹Paris, 1963. The youngest of a family of six, Roland, is a boy like no other. According to the doctors, he'll never walk, but his stubborn mother, Esther, simply refuses to accept this.
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster