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我的曼啊:2025圣誕特別篇
露茜·彭奇,喬安娜·拉姆利,菲利帕·鄧恩星河戰隊
卡斯帕·范·迪恩,迪娜·邁耶,丹妮絲·理查茲,杰克·布塞,尼爾·帕特里克·哈里斯,克蘭西·布朗,塞斯·吉列姆,帕特里克·茂頓,邁克爾·艾恩塞德,露·麥克拉納罕,馬紹爾·貝爾,埃里克·布魯斯科特爾,馬特·萊文,布蕾克·林斯利,安東尼·瑞維瓦,布蘭達·斯特朗,迪恩·諾里斯,克里斯托弗·柯里,萊諾爾·卡斯多夫,羅伯特·斯莫特,斯蒂芬·福特,羅伯特·大衛·豪爾,艾米·斯馬特,蒂莫西·奧門德森,代爾·戴人證1977
岡田茉莉子,松田優作,鼻肇,喬山中,巖城滉一,三船敏郎,鶴田浩二,竹下景子,伴淳三郎,高澤順子,范文雀,夏八木勛,長門裕之,珍妮八田,坂口良子,大瀧秀治,佐藤蛾次郎,北林谷榮,西川峰子,鈴木瑞穗,峰岸徹,地井武男,和田浩治,深作欣二血灑胭脂馬
羅伯特·蒙哥馬利,旺達·亨德里克斯吞天巨鯊
陳外,程爽,成止微,秦宇密林深處
伊希爾·勒·貝斯柯,納威爾·佩雷茲·畢斯卡亞特,馬修·西莫內,Jér?me Kircher,Bernard Rouquette,Jean-Pierre Gos,Luc Palun,讓-克勞德·古盧姆伯格,Jean-Marc Stehlé,Yvette Peyremorte同類推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
浪扼三焦
卡拉·朱里,Véronique Tshanda Beya,Esperanza Martin González-Quevedo,Alessia Raschellà,沙夏·萊伊艾瑪在夜深人靜的時候被帶走了,渾身是瘀傷,意外懷孕了。在婦女庇護所找到了一個新家,她重新發現了自己失去的一面。在住在避難所的婦女和兒童中,個人創傷交織在一起。盡管他們有分歧,但一種微妙的姐妹情誼出現了。“一部關于女性為自尊和獨立而戰的電影,面對一個剝奪她們發言權的世界。這部電影將觀眾帶到了一個女性避難所的墻壁后面,向他們展示了一個令人驚訝的充滿活力的世界,那里的生活正在重建。如果有痛苦,也有力量、快樂和希望。角色和他們的故事植根于真實的經歷和情感,由演員和非演員共同扮演。情感誠實至關重要”。導演的筆記。
妃子笑
蕭正楠,黃婉伶,黃婉君,陳逸寧,戴夢夢,朱咪咪,李兆基,江欣燕,梅小惠,謝雪心,楊羚,李思捷,王嘉明弘治七年,皇上在全國范圍內大選妃子。來在同村的兩位少女鴛鴦(黃婉君 飾)和朱朱(黃婉伶 飾)相助于危險的夜路,遂互稱姐妹,共赴皇宮。 對于少女們來說,如果成功當選皇妃,無論富貴貧賤都可飛上枝頭當鳳凰,自然競爭激烈,條件也很苛刻。不光自身條件要好,還要經過嚴格的培訓與層層考試。但更加殘酷其實是她們各自之間的勾心斗角、爾虞我詐。 面對種種的困難與危險,鴛鴦與珠珠能否闖過難關?而面對這殘酷的競爭,她們的友情是否會改變呢?
浪浪人生
黃渤,范丞丞,殷桃,常遠,李嘉琦,劉雪華,付航,孫藝洲,張本煜,易小星,小愛,鄧恩熙,李治良,劉西蒙,郝瀚,杜夢涵,莊園曾經叱咤小鎮的“大哥”黃榮發(黃渤 飾)如今嘴硬腿軟,開啟人生困難模式,但他和家人都沒有被命運的風浪裹挾。兒子黑狗達(范丞丞 飾)看似是黃家唯一“淡人”,暗地卻密謀如何發家又“治父”;妻子陳梨珍(殷桃 飾)樣樣全能橫掃困難,是小鎮人盡皆知不太好惹的“媽系超人”;膽大手“黑”的女兒黃嬌嬌(李嘉琦 飾)和“神”通廣大的阿太(劉雪華 飾)也各出奇招笑料百出。逆境當前,一家唯有興“瘋”作浪跟生活貼臉硬剛,沒準真能讓他們絕地翻盤?
四重唱
瑪吉·史密斯,湯姆·康特奈,比利·康諾利,保利娜·科林斯,邁克爾·剛本,謝里丹·史密斯,安德魯·薩克斯,格溫妮絲·瓊斯,特雷弗·皮科克,大衛·萊爾,邁克爾·伯恩,羅尼·福克斯,帕特里夏·洛夫蘭德,伊琳·珀威爾,盧克·紐伯里故事發生在一間專門面向歌劇退休演員開放的養老院里,維爾福(比利·康諾利 Billy Connolly 飾)、雷吉(湯姆·康特奈 Tom Courtenay 飾)和茜茜(寶林·科林斯 Pauline Collins 飾)是那里的明星居民。每一年,這三個出色的演唱者都會通過他們的三重唱向社會募集資金,用以維持養老院的運作。雖然養老院的規模不大,但每一個老人都能在那里找到快樂和安寧。 簡(瑪吉·史密斯 Maggie Smith 飾)的出現打破了眾人寧靜的生活,這個高傲又好斗的女人是歌劇界名聲大噪的歌唱家,同時,她還是雷吉的前妻。受生活所迫,簡不得已住進了這間養老院,前夫雷吉的存在更是讓她心中憤憤不平。由于簡的加入,三重唱變成了四重唱,但排練的效果并沒有因為一個得力唱匠的加入而有所提高,麻煩和爭執接踵而至。