法國空姐3
The cabin crew of Dorcel Airlines is pleased to welcome you on board for a new sexy and horny trip! They are young, they are gorgeous and they have the hottest job in the world: they are flight attendants. They are determined to use their charms to make your flight unforgettable.
即刻觀影
劇情賞析
編輯推薦
絕種鐵金剛
梁家輝,毛舜筠,陳小春,鐘欣潼,陳冠希,田樸珺著名影星詹二幫（梁家輝飾）常常出演一些英雄類人物的角色，但現實生活中卻膽小如鼠，使深愛的妻子曼瓊（余安安飾）離開了他，自此他便跟兩個女兒忌廉（鐘欣桐飾）與脆皮一起生活了?！ ¤F男（陳小春飾）與Janet（田樸珺飾）均是國際刑警，得知恐怖分子龍一（徐錦江飾）將到香港去取另外的生化武器，在香港與恐怖分子交手的過程中，誤入了二幫的家里，鐵男被注射了智力退化的病毒，智商只有4歲兒童的程度。曼瓊從好萊塢回來打算跟二幫商議合作的事情，卻遭到恐怖分子的闖入，他們得知丟失的病毒就在二幫家中。 在與恐怖分子斗爭的過程中，二幫為了女兒為了前妻，顯現出以往少有的勇敢才智，順利抓拿犯罪分子以為，還贏回了家庭團員。
神秘島
邁克爾·克雷格,瓊·格林伍德During the US Civil War, Union POWs escape in a balloon and end up stranded on a South Pacific island, inhabited by giant plants and animals. They must use their ingenuity to survive the dangers, and to devise a way to return home. Sequel to '20,000 Leagues Under the Sea' . Written by Stewart M. Clamen
無形的本質
Laura Brand?o,Serena,Larissa Mauro,Camila Márdila,Aline Marta Maia暑假將至，十歲的格洛麗亞陪同身為護士的母親安東尼婭去醫院上班。格洛麗亞對醫院早已熟悉，經常獨自探索。有一天，她遇到了同樣十歲的索菲亞。索菲亞來醫院是因為她的祖母：比薩·弗朗西斯卡，一位患有阿爾茨海默癥的精神治療師，因家中發生意外而住院。索菲亞和母親西蒙娜對比薩的下一步安排意見不一。西蒙娜堅持認為她應該暫時留在醫院；索菲亞則渴望將祖母送回鄉下的家中。格洛麗亞和索菲亞夢想著離開醫院，而她們的母親——都是單親媽媽，則與她們建立了信任和相互支持的紐帶。死亡與重生的循環對格洛麗亞、索菲亞、安東尼婭和西蒙娜來說意義深遠。當比薩即將離世時，安東尼婭負責她的臨終關懷。在鄉下，他們發現一個社區正在等待比薩，準備為流浪的靈魂祈禱，以便他們能夠繼續前行。
摩登神探
鄭則士,廖偉雄,羅烈阿燦（廖偉雄飾）與肥則(鄭則士飾)一對活貝警界立下不豐功偉績。但每次都是烏龍百出，錯有錯著之下破案的，一次因涉嫌收藏大陸的非法人蛇，倆人同被革除職務。二人于無意中得悉一名叫契爺的黑社會頭子，擄去一富翁的小孫，但倆人是被革退的警員，又怎樣去處理或能否撲滅契的犯罪集團呢！ 肥則為了娶阿芳（鄭麗芳飾）為妻，收留了從大陸偷渡過來的大姨媽及其女阿珍（阮佩玲飾）。阿燦愛上了賢淑可愛的阿珍，兩人很快墮入愛河。另一方面，犯罪集團主腦契爺（羅烈飾）及得力女助手阿JOE策劃一樁勒索案，但取贖金時險比警方捉拿。無計可施時，契爺捉走阿珍及阿芳來威脅阿燦及肥則替他們取贖金，并在他們身上裝了一遙控計時炸彈…
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
灰色女士
埃里克·迪恩,Natalie Zea,Amy Madigan,艾德里安·萊斯特,Carolyn Stotesbery,Chris Meyer,Rebecca Gayheart,Jimmy Cummings,Laila RobinsA Boston police officer goes to Nantucket to investigate the murder of his partner, but he finds more than he bargained for.