劇情縱覽
君里(徐寶麟暫無內(nèi)容飾)雖然已經(jīng)有了妻子裴琳,但還是和名為芬妮的女子開始了一段地下戀情。一天,兩人正駕車約會,因為裴琳的不小心導(dǎo)致發(fā)生了車禍,撞到了司機小章所駕駛的車輛,雖然君里幸運的撿回了一條命,但是卻就此失明成為盲人。
君里(徐寶麟暫無內(nèi)容飾)雖然已經(jīng)有了妻子裴琳,但還是和名為芬妮的女子開始了一段地下戀情。一天,兩人正駕車約會,因為裴琳的不小心導(dǎo)致發(fā)生了車禍,撞到了司機小章所駕駛的車輛,雖然君里幸運的撿回了一條命,但是卻就此失明成為盲人。
After serving two years on a military outpost in the middle of an ocean – four soldiers are waiting for a new crew to replace them. When the long-awaited boat finally appears, it’s empty with no relief on board. When trying to find out what happened to the boat and the missing crew, they realize they’ve lost all communications with home. Cut off from the rest of the world and no one coming to get them, Baines, Sullivan, Cassidy and Hendryx must fight with suspicions about each other and find a new way to get home. If home still exists.
Upon their mother’s death, siblings Jenny and Marshall return to renovate her crumbling motel, The Jolly Monkey. But as they work, a deadly force tied to their family’s dark past emerges, forcing them to face terrifying truths if they want to survive.
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
這部1973年的小說由安部公房創(chuàng)作,講述了一位無名男子放棄自己的身份,頭頂一個大紙箱生活的故事。在東京街頭游蕩時,他遇到了各種各樣的人物。