最后的性和愛

　　在一個舒適的季節，弗朗西斯科（艾邦·摩斯·貝克許 Ebon Moss-Bachrach 飾）和懷有身孕的妻子貝絲（凡妮莎·肖 Vinessa Shaw 飾）來到墨西哥某個海濱小鎮度假。適值狂歡節期間，小鎮四周歌舞升平，紙醉金迷，多少青年男女流連忘返。弗朗西斯科渴望尋覓一個安寧的所在，他找到當地的漁夫，從對方手中租下一艘船，打算在附近某個僻靜的小島安然度過五六天。次日，他和妻子抵達目的地。那里寂靜無聲，幾乎看不到一個人影。島上的孩子們偶爾逡巡四周，但無一例外臉上都掛著猙獰冷漠的表情。　　未過多久，令他們毛骨悚然的事情接連發生。島上的孩子手執兇器獵殺成人，期間更發出令人不寒而栗的笑聲。孩童的殺戮仍在繼續，弗朗西斯科夫婦能否逃離……

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

 Set on a New York subway, The Dutchman centers on an encounter between a well-to-do Black man and an enchanting white woman who match wits in a sexualized game of cat and mouse that leads to a violent conclusion.

冷峻英俊的查爾斯·J·克里斯芬多（置鲇龍太郎 配音）是得到梵蒂岡認證的圣職者，同時也是一名擁有強悍戰斗力的獨立吸血鬼賞金獵人。但他白色身份的另一面，是隱藏著無盡秘密的吸血鬼。他從不吸食獻血，是一名虔誠祈禱的圣徒。不過有一個例外，那就是查爾斯的祖先強尼·雷夫羅（藤原啟治 配音）。雷夫羅當初利用符咒自行墮落成一名吸血鬼，堪稱所有吸血鬼的祖先。他為查爾斯提供源源不斷的血液，每當查爾斯前往世界各地執行任務時，雷夫羅便以“食物”的身份隨行。這次的任務有些奇怪，修女向查爾斯展示了一名神秘少女，而交換的代價便是查爾斯的主人兼食物——雷夫羅……　　本片根據日本漫畫家黑乃奈奈繪的同名原著改編。