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Vino G. Bastian,迪婭·潘德拉,Agus Kuncoro馬爾切洛·埃爾南德斯：美國(guó)男孩
馬爾切洛·埃爾南德斯告別武器
海倫·海絲,加里·庫(kù)珀,阿道夫·門吉?dú)W,瑪麗·菲利普斯,杰克·拉魯,布朗什·弗雷德里克,瑪麗·福布斯,吉爾伯特·埃默里,愛麗斯· 亞岱爾,亨利·阿爾梅塔,赫爾曼·賓 ,Agostino Borgato,Robert Cauterio,瑪塞勒·科爾代,基諾·科拉多,George Humbert,威廉·歐文,多麗絲·勞埃德,弗雷德·馬拉泰斯塔,保羅·波爾卡西,Tom Ricketts,Frederick Sullivan驚爆魔盜團(tuán)
祖爾·阿里芬,Sharnaaz Ahmad,Amelia Henderson,Nadhir Nasar,鄭斌輝,Yasmin Hani,呂楊,米勒·可汗,Elvina Mohamad,G Theebaan,Anas Ridzuan,Wan Raja,Mustaqim Bahadon,Aanantha Rajaram,Shamini Shradha,Alicia Amin,陳沛江,Sherry Al Jeffry全力奔跑
河錫辰,金多賢,李信永,尹書彬壞血1986
米歇爾·皮科利,朱麗葉·比諾什,德尼·拉旺,漢斯·邁爾,朱莉·德爾佩,卡羅爾·布魯克斯,烏戈·普拉特,米雷耶·佩里耶,塞爾日·雷吉亞尼,弗朗索瓦·尼格雷特影視排行
血戰(zhàn)到底2025
李恰,于莫凡,李博,呂晨1939年繁昌保衛(wèi)戰(zhàn)，新四軍排長(zhǎng)朱振率隊(duì)護(hù)送握有日軍南京暴行證據(jù)與作戰(zhàn)計(jì)劃的記者陸瑛。遭日軍圍追堵截，隊(duì)員接連犧牲，歷經(jīng)雪原伏擊、山洞激戰(zhàn)等生死考驗(yàn)，最終朱振殉國(guó)，陸瑛成功送證，助新四軍獲勝，日軍罪行曝光。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
留低你個(gè)死人頭
William Baldwin,安琪拉·瓊斯蓋布麗（安琪拉·瓊斯 Angela Jones 飾）的童年里有一段非常可怕的經(jīng)歷，年幼的她曾經(jīng)在兇殺現(xiàn)場(chǎng)親眼目睹死尸。這一段奇異的人生經(jīng)歷讓蓋布麗開始對(duì)尸體和死亡產(chǎn)生了好奇之心，這股子好奇隨著她年齡的增大越發(fā)強(qiáng)烈起來，蓋布麗甚至?xí)匾獾氖詹貓?bào)紙上的謀殺新聞做成剪報(bào)冊(cè)，時(shí)時(shí)翻閱溫習(xí)。 邁阿密接連發(fā)生兇殺案，被害者均是養(yǎng)尊處優(yōu)的闊太太，而且無不身首異處。這起連環(huán)殺人案件很快就吸引了蓋布麗的注意，為了能夠更加接近命案現(xiàn)場(chǎng)，蓋布麗來到了一間專門清理命案現(xiàn)場(chǎng)的保潔公司應(yīng)聘成為了員工，并且在機(jī)緣巧合之下同連環(huán)殺人犯（威廉·鮑德溫 William Baldwin 飾）有了一面之緣。
大明嬪妃之選秀
何杜娟,關(guān)慧卿,思漩,陳一諾,王春妹,朱一龍皇太子爭(zhēng)選太子妃，蘭心本有所愛，卻不得不進(jìn)到太子府，因?yàn)椴湃A出眾，深得皇太子和紀(jì)淑妃的喜愛，蘭心被嫉妒和排擠，在太子府里受盡磨難！ 其實(shí)一切陰謀都是秀女姚芊芊設(shè)計(jì)的，姚芊芊是萬貴妃的人，自己參選秀女就是為了接近太子，協(xié)助萬貴妃鏟除太子，雖然她心中也另有所愛，但不得不去爭(zhēng)選太子妃，鏟除一切阻礙自己當(dāng)上太子妃的秀女。 姚芊芊陷害蘭心通奸，差點(diǎn)害的蘭心被賜死，關(guān)鍵時(shí)刻蘭心被梅兒所救。幾日后公布太子妃人選之時(shí)，紀(jì)淑妃為了顧全大局，還是讓姚芊芊當(dāng)上了太子妃，姚芊芊十分痛苦內(nèi)心掙扎，蘭心、梅兒、金碧瑤當(dāng)上側(cè)妃，大家各懷念想……。