VN.098-周于希

6.4 播放:03萬 更新:2026-04-22
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VN.098-周于希

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劇情賞析

VN.098-周于希

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興登堡遇難記

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 羅伯特.懷斯執導的該部災難片根據真實事件改編而成。故事講述一九三九年,一艘滿載各式人等飛往紐約的德國造興登堡飛船,在抵達紐約上空時發生爆炸,造成了歷史上的大悲劇。

有關謊言的真相

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  當真相鋪天蓋地而來,令人根本無法接受的時候,吉爾比發現自己早已陷入了一個錯綜復雜的謊言網無法脫身。當真相鋪天蓋地而來,令人根本無法接受的時候,吉爾比發現自己早已陷入了一個錯綜復雜的謊言網無法脫身。

A面B面

陳曉東,張靜初,芙蓉姐姐,袁文康,孔維,鄧家佳,任泉,王洛勇 Luoyong Wang

  教授“精神心理衛生”的陳聰明(王洛勇 飾)在評定教授職稱的課上口出驚人之語,校長再也無法容忍這位行為瘋癲的老師,于是后者進入一家惟利是圖的精神病院暫時棲身。在這家醫院工作的梁海潮(袁文康 飾)難以忘記前妻柳悅(張靜初 飾),經陳聰明開導,梁海潮決定把前妻從開補藥店的蕭春雷(陳曉東 飾)那里奪回來。此時,日日與補藥作伴的柳悅在工作時崩潰,也被送入精神病院,在陳聰明幫助下,梁海潮將柳悅救出,而蕭春雷將柳悅的藥吃下導致情緒失控,被精神病院關押。梁海潮認為奪回前妻的時機已到,而陳聰明則開始想法幫助受害的蕭春雷……

解決專家

黃才倫,邱意濃,林子聰,許詩晨,王瀚邦,王人可,文東俊,岳冬峰,劉奕心,阿蒂婭,劉海涵,解斯童

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黑暗殺機

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  杰弗里·懷特、亞歷山大·斯卡斯加德和詹姆斯·戴爾共同加盟新片[持有黑暗](Hold The Dark,暫譯),由杰瑞米·索爾尼爾([綠色房間])執導。影片講述阿拉斯加偏遠地區出現野狼殺死孩子的事件,一位專家被派到這里調查,發現事件圍繞著一對神秘的夫妻展開。該片將于3月在加拿大亞伯達開拍。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.