第六感：視線中的女人

★ 3.5 播放：76萬 更新：2026-04-28
主演：未知

給力劇情

在線播放

劇情簡介

給力劇情

導(dǎo)演精選

交響詩篇超進(jìn)化3

內(nèi)詳暫無簡介

指控之后

Netflix即將上映的電影“無聊”不僅僅是一部驚悚片，而是對社會思維的尖銳質(zhì)疑。一個(gè)被困在身份和信任之間的醫(yī)生的故事 - 在判決法庭之前，社會會聽到。準(zhǔn)備好觀看Konkana Sen Sharma的壓倒性化身。Netflix將再次推動印度原創(chuàng)內(nèi)容的極限。OTT巨頭宣布其即將推出的心理戲劇驚悚電影“無聊”，這將于2026年發(fā)布。在這個(gè)嚴(yán)肅而多層次的故事中，Konkana Sen Sharma和天才Ranta將扮演主角。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster