情婦

5.5 播放:69萬 更新:2026-04-26

時常無所事事在街頭閑晃的奧利弗(杰拉爾?德帕迪約暫無內容Gérard暫無內容Depardieu暫無內容飾)和朋友偶然來到了艾蓮娜(布魯?歐吉爾暫無內容Bulle暫無內容Ogier暫無內容飾)的家里推銷書籍,卻陰差陽錯的進入到后者在自家的工作室——一個充滿變態用具的地下室,原來艾蓮娜是一個向眾多男子提供虐待服務的高級妓女。奧利弗被拉入參與了一次游戲后,便不能自已的愛上了美麗性感的艾蓮娜,并且隨即邀請她吃飯,兩人走到了一起。艾蓮娜經常在早上接到老板的任務電話,隨后進入地下室“招待”她的客人們。奧利弗不愿艾蓮娜耽于如此生活,向她的老板索取報酬,并且要其放過艾蓮娜。艾蓮娜得知這個消息后卻勃然大怒,對奧利弗惡語相向

播放通道

詳細簡介

時常無所事事在街頭閑晃的奧利弗(杰拉爾?德帕迪約暫無內容Gérard暫無內容Depardieu暫無內容飾)和朋友偶然來到了艾蓮娜(布魯?歐吉爾暫無內容Bulle暫無內容Ogier暫無內容飾)的家里推銷書籍,卻陰差陽錯的進入到后者在自家的工作室——一個充滿變態用具的地下室,原來艾蓮娜是一個向眾多男子提供虐待服務的高級妓女。奧利弗被拉入參與了一次游戲后,便不能自已的愛上了美麗性感的艾蓮娜,并且隨即邀請她吃飯,兩人走到了一起。艾蓮娜經常在早上接到老板的任務電話,隨后進入地下室“招待”她的客人們。奧利弗不愿艾蓮娜耽于如此生活,向她的老板索取報酬,并且要其放過艾蓮娜。艾蓮娜得知這個消息后卻勃然大怒,對奧利弗惡語相向

同類推薦

旅行者的需求

伊莎貝爾·于佩爾,李慧英,權海驍,趙允熙,河成國

  來自法國的旅行者伊麗絲在韓國擔任法語家庭教師賺取生活費。語言的隔閡讓她和學生之問的交流充滿錯位感,東亞文化中不善于思考和表達內心情感的“痼疾"又與渴望交流與開放的心態交織在一起,觸發了只有異國旅行者才能感受到的特殊孤獨與惆悵。被譽為韓國作者電影第一人的導演洪常秀繼《在異 國》《克萊爾的相機》之后與法國國寶級女演員伊莎貝爾·于佩爾再度合作,用極簡主義的拍攝手法呈現細致入微的人際關系精妙互動,斬獲2024年第74屆柏林國際電影節評審團銀熊獎。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

異塵余生:尸鬼圣誕節

...

殺人漫畫

嚴基俊,李施吟,金顯祐,吳光祿

  當紅網絡恐怖漫畫作家姜知允(李詩英 飾)新作接連問世,備受好評。而生活中她似乎越來越分不清現實和虛幻的界限,不僅經常遭遇極度逼真的恐怖噩夢,身上還常出現莫名其妙的傷口。某個夜晚,姜作家的責編徐美珍以極其殘忍的方式自虐身亡,而其死亡過程和現場慘狀竟與姜作家不久剛剛發給她的新作內容如出一轍。未過多久,又發生了一起和漫畫內容相似的殯儀館殺人事件。盆唐警局刑警琪哲(嚴基俊 飾)和后輩金永秀(金顯祐 飾)介入調查,并慢慢追蹤到姜作家鮮為人知的背景。  霓虹燈下鬼影幢幢,每個人心中都有不愿為人知曉的秘密,冤有頭,債有主。因果報應,毫厘不爽……

寶塔鎮河妖之詭墓龍棺

彭愚厶,曾妮,何其煒,王怡雯,郭野,周升

  清朝末年,城中百姓多數染上怪病。關心國家命運的禾苗希望張孝智助自己到水下地宮取得寶藏。但另有幾方勢力為了獲得地宮寶藏展開了一場大亂斗。最終,眾人發現所謂的寶藏根本子虛烏有。而導致盛京變成人間地獄的根源也非妖魔鬼怪,而是日本人人體試驗的陰謀。 張孝智與禾苗、兄弟錢眼兒、棄暗投明的黑風雙煞最終不計自身安危地準備解救盛京的危局……