終極強(qiáng)j獸性誘惑

評(píng)分：3.3 播放：62萬(wàn) 更新：2026-04-27

電影燈光師亞勛因目睹父親把母親殺死而跳樓自盡，xing情變得弧僻陰沉。在片場(chǎng)經(jīng)常被同事羞辱，只有電影編劇美詩(shī)對(duì)祂關(guān)懷備至。美詩(shī)的正職是一名心理醫(yī)生。在一次大學(xué)演講演說(shuō)鈡，亞勛聽(tīng)到美詩(shī)解說(shuō)心理病人的病例，誤以為美詩(shī)是在對(duì)自己進(jìn)行嘲笑侮辱，情緒桑大受打擊，沖動(dòng)丅把美詩(shī)強(qiáng)迫。美詩(shī)身心嚴(yán)峻受創(chuàng)，更患上心理恐懼癥，本來(lái)好動(dòng)的她變得封閉

影片推薦

同類精選

影視排行

蠟筆小新：灼熱的春日部舞者們

小林由美子,楢橋美紀(jì),森川智之,興梠里美,真柴摩利,林玉緒,一龍齋貞友,山寺宏一,瀨戶麻沙美,速水獎(jiǎng),賀來(lái)賢人,日高范子,寶龜克壽,坂本千夏,小峠英二,西村瑞樹(shù)

　　春日部防衛(wèi)隊(duì)在“春日部?jī)和瘖蕵?lè)節(jié)”舞蹈比賽中，獲得勝利，他們因此得到了前往印度的機(jī)會(huì)。在盡情享受印度旅游的過(guò)程中，小新和阿呆進(jìn)入了一家神秘的雜貨店，在那里發(fā)現(xiàn)了一個(gè)形狀像“鼻子”的背包并買下了它。然而，這個(gè)背包隱藏著一個(gè)非常可怕的秘密。

利刃出鞘2

丹尼爾·克雷格,愛(ài)德華·諾頓,加奈兒·夢(mèng)奈,凱瑟琳·哈恩,小萊斯利·奧多姆,凱特·哈德森,戴夫·巴蒂斯塔,杰西卡·亨維克,瑪?shù)铝铡た巳R因,諾阿·西甘,杰姬·霍夫曼,達(dá)拉斯·羅伯特斯,伊桑·霍克,休·格蘭特,史蒂芬·桑德海姆,安吉拉·蘭斯伯瑞,娜塔莎·雷昂,卡里姆·阿卜杜爾-賈巴爾,塞蕾娜·威廉姆斯,馬友友,約瑟夫·高登-萊維特,丹·查里頓,艾迪·戈羅杰茨基,亞當(dāng)·達(dá)文波特,詹姆斯·佩頓,杰克·塔珀

　　科技業(yè)億萬(wàn)富翁邁爾斯·布朗（愛(ài)德華·諾頓 飾）邀了幾位感情深厚的摯友到他的希臘私人小島渡假，不料卻有人命喪于此！這座世外桃源原來(lái)并不如想像中美好。命案既出，大偵探布蘭科（丹尼爾·克雷格飾）此時(shí)不出馬更待何時(shí)？且看他如何解開(kāi)重重謎團(tuán)！

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

鬼府神工

勞倫·拉維拉,Claudio Nathan Brezzi,雅辛·法德?tīng)?Peppe Fonzo,Gianluigi Galvani,Melanie Gaydos,克勞迪亞·杰里尼,Jonathan Dylan King,Elisabetta Klein,喬瓦尼·隆巴多·雷迪斯,Stefano Martinelli,丹妮絲·麥克尼,Maria Grazia Ortesani,Courage Osabohine,Tony Pandolfo,洛倫佐·倫茲,Nicolo Viridi,Linda Zampagli

　　A budding art restorer travels to a small Italian village to bring a medieval painting back to its former glory. Little does she know she is placing her life in danger from an evil curse and a monster born of myth and brutal pain.