女愛人/布盧明頓

? 8.2 播放：82萬 2026-04-25

英文名Bloomingtonloomington是一個年齡約前兒童actressattending搜索獨立學院戲劇誰結束becomingromantically的參與與一名女教授。直到他們的relationshipthrives機會回到她改變決定makelife作用力。成龍KIRK，22歲的前電視childactress的到達中西部一路從加州。她的IsReady探索新的選擇和運動感的獨立性thathad迄今一直缺乏在她的生活中。她最大的愿望就是混合inwith她的同齡人被證明是困難的時期，作為她調(diào)遣theendless的游行26日，海王星的popularsci-fi顯示她曾經(jīng)的一部分盯著問題。成龍不曾遠離herfamily的演出結束以來前四年。雖然她notexactly接近她的父母，獨處首次isnonetheless壓倒性的經(jīng)驗。在apsychology部門攪拌機成龍符合一個mysteriousteacher凱瑟琳斯塔克，在她三十出頭，一個臭名昭著的淑女殺手reputation.In的警告，盡管她從其他學生，成龍瀑布的forCatherines魅力和兩個外人開始瞬間intenserelationship的。通過schoolyear的過程中，他們的債券變得更加強大，更多的個人，直到突然面臨著解散hernow電視節(jié)目故事片版本試鏡機會Jackieis。該前景試圖卷土重來施行本科生超演藝事業(yè)競爭激烈的世界是在第一令人生畏toJackie但經(jīng)過深刻反省她決定接受thechallenge的。有了自信續(xù)期了一些新insightsshe的拿起她的心理研究禮貌，成龍決定給所有何去何從，爭取收回她的老角色。然而，她可能回到聚光燈下迅速變成生命lessonof其自己的學生和老師。凱瑟琳發(fā)現(xiàn)，herillicit行為，一旦大多被忽視，現(xiàn)在吸引unwantedattention的，因此把她的工作安全處于危險之中。作為forJackie，她發(fā)現(xiàn)，發(fā)現(xiàn)她的生活激情和圖表軟禁當然也可能意味著不必說再見，她的第一個真正的愛情。

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? 播放 女愛人/布盧明頓

劇情提要

英文名Bloomingtonloomington是一個年齡約前兒童actressattending搜索獨立學院戲劇誰結束becomingromantically的參與與一名女教授。直到他們的relationshipthrives機會回到她改變決定makelife作用力。成龍KIRK，22歲的前電視childactress的到達中西部一路從加州。她的IsReady探索新的選擇和運動感的獨立性thathad迄今一直缺乏在她的生活中。她最大的愿望就是混合inwith她的同齡人被證明是困難的時期，作為她調(diào)遣theendless的游行26日，海王星的popularsci-fi顯示她曾經(jīng)的一部分盯著問題。成龍不曾遠離herfamily的演出結束以來前四年。雖然她notexactly接近她的父母，獨處首次isnonetheless壓倒性的經(jīng)驗。在apsychology部門攪拌機成龍符合一個mysteriousteacher凱瑟琳斯塔克，在她三十出頭，一個臭名昭著的淑女殺手reputation.In的警告，盡管她從其他學生，成龍瀑布的forCatherines魅力和兩個外人開始瞬間intenserelationship的。通過schoolyear的過程中，他們的債券變得更加強大，更多的個人，直到突然面臨著解散hernow電視節(jié)目故事片版本試鏡機會Jackieis。該前景試圖卷土重來施行本科生超演藝事業(yè)競爭激烈的世界是在第一令人生畏toJackie但經(jīng)過深刻反省她決定接受thechallenge的。有了自信續(xù)期了一些新insightsshe的拿起她的心理研究禮貌，成龍決定給所有何去何從，爭取收回她的老角色。然而，她可能回到聚光燈下迅速變成生命lessonof其自己的學生和老師。凱瑟琳發(fā)現(xiàn)，herillicit行為，一旦大多被忽視，現(xiàn)在吸引unwantedattention的，因此把她的工作安全處于危險之中。作為forJackie，她發(fā)現(xiàn)，發(fā)現(xiàn)她的生活激情和圖表軟禁當然也可能意味著不必說再見，她的第一個真正的愛情。

幕后花絮

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

超重警官

　　自從因為太胖抓不到搶匪而登上頭條，“阿康”和他三個朋友就成了泰國警界的恥辱。這四個胖警察必須在三個月內(nèi)甩掉肥肉，否則就會被懲處！當美麗的尊巴舞教練“小敏”加入之后，訓練變得令人興奮。然而，搶案持續(xù)發(fā)生，一臺銀行運鈔車被搶后損失慘重，歹徒卻沒有留下任何線索。四位警探必須在塑身的同時偵查犯罪，減肥期限將近，但犯案之謎卻仍未解開。這幾個超大條的家伙，要如何保住他們的飯碗呢？