拉瑪斯 Lamas (2024)

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

　　伊茲很快就可以逃脫倫敦僅存的住宅小區(qū)“廚房”。但小班吉走進(jìn)他的生活后他需要做出一些艱難的決定。

麥哲倫是一位航海家，他秉持人道主義精神和對(duì)正義的信仰，反抗國王的權(quán)力。然而，當(dāng)他最終掌管香料艦隊(duì)，完成首次環(huán)球航行后，他的旅程又將如何揭開他自身的謎團(tuán)呢？

 在美國小鎮(zhèn)一家超市的付款通道中，一個(gè)黑人對(duì)一個(gè)10歲白人小孩（JacksonRobert Scott飾）微笑，不曾想，這個(gè)善意的舉動(dòng)受到誤解，引發(fā)了幫派之間的對(duì)抗，并以驚人的結(jié)局收尾。