即刻觀影
劇情賞析
編輯推薦
新萬圣節
馬爾科姆·麥克道威爾,布拉德·道里夫,威廉·弗西斯,雪莉·穆恩·贊比1963年，在位于美國的伊利諾斯州的霍登平原市。陰暗恐怖的夜色籠罩著這座死寂的小城市，一起奇異的慘案就在黑暗當中發生了：梅爾斯家里只有六歲大小的邁克爾·梅爾斯（達格·法奇飾），殘忍的用棒球棒將母親的男朋友一棍一棍的錘成了肉泥，然后又將自己的姐姐以及姐姐的男朋友一同肢解得支離破碎、慘不忍睹…… 事實上，這個特別的小男孩兒在一生來似乎從面孔到內心就充滿了深深的邪惡與仇恨。而令所有人萬萬沒有想到的是男孩剛剛長到他6歲這一年便瘋狂般地露出了他猙獰的惡魔臉孔。而每一年象征著“群魔亂舞”的萬圣節似乎也成了他活躍異常的時刻。 根據美國當地的法律，未成年人殺人并不會受到警方更嚴厲的制裁，最終裁定將這個心靈扭曲的少年送到了精神療養所進行看管。在那里，一個名叫薩米爾·魯米斯的醫生負責調教和看管惡魔男孩兒。從未見識過如此兇殘的兒童的魯米斯想盡一切辦法接近這個可怕少年的心靈，試圖去影響、改變他的一切。但醫生做的所有嘗試都最終以失敗而告終。邁克爾·梅爾斯是一個極其頑固的邪惡的載體，他沒有理智、毫無人性可言，有的只是日益強悍的身體和越來越強烈的暴虐和不斷增長的殺戮欲望——薩米爾·魯米斯最后也意識到了這點，但似乎所有這一切都已經為時太晚了。 在被關押了漫長的十七年之后，已經“長大成人”的邁克爾·梅爾斯憑借強壯的身體終于找到機會逃出了逼仄的牢籠。壓抑已久的仇復與殺戮的惡魔之心終于得到了釋放的機會，他迫不及待的回到霍登平原市，去尋找他唯一真正愛護過的妹妹勞瑞。 這一切的真相，只有薩米爾·魯米斯知道，老醫生深知他的目的所在；也只有薩米爾·魯米斯知道，任何不幸遭遇惡魔邁克爾·梅爾斯的人都將以最慘痛的方式付出自己的生命做代價。如今，留給他的時間已經不多，他要竭盡全力去警告無知的人們，并保護這家人唯一的希望——勞瑞。與此同時，為了所有其他人的無辜性命，魯米斯還要拼盡全力找到并控制住瘋狂的邁克爾·梅爾斯。尤其是每當月黑風高的萬圣節之夜悄悄降臨時……
藍調之歌
休·杰克曼,凱特·哈德森,邁克爾·因佩里奧利,費舍·史蒂芬斯,詹姆斯·貝魯什,艾拉·安德森,金·普安公主,穆斯塔法·沙基爾,Bob Roseman,杰森·華納·史密斯,羅伯特·約翰·加拉格爾,Eva Kaminsky,Beth Malone,馬特·戈爾斯基,Sean Allan Krill,T. Oliver Reid,Tom O'Keefe,鮑里斯·倫敦,Johnny Olmez,Faye Tamasa影片改編自真實故事，講述兩名時運不佳的音樂人（休·杰克曼與凱特·哈德森 飾）組成一支充滿歡樂氣氛的尼爾·戴門致敬樂團，證明了尋找愛情和追逐夢想永遠不會太晚。
治療尸
陳郡君,張立昂,蔡子,陳沛興,鐘麗芬,劉芷希如果靈魂離開了身軀，肉體還是正常活動，該怎么去解釋這種生命形態？余燕（陳郡君飾）早晨醒來便覺得身體有異常，先后與家人和男友許德（張立昂飾）發生爭執，盛怒的余燕轉身離去，隨后發生車禍。經醫生搶救逃過死劫，卻找不到心跳。此時她被劫走，醒來后身處在地下密室，研究失魂者的胡教授解釋余燕會失去魂魄，是因為內心有強烈的負面磁場，一旦受到沖擊，靈魂就會脫離身體。余燕需要在72小時內把自己的靈魂找回來，才能夠恢復正常。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
利刃出鞘2
丹尼爾·克雷格,愛德華·諾頓,加奈兒·夢奈,凱瑟琳·哈恩,小萊斯利·奧多姆,凱特·哈德森,戴夫·巴蒂斯塔,杰西卡·亨維克,瑪德琳·克萊因,諾阿·西甘,杰姬·霍夫曼,達拉斯·羅伯特斯,伊桑·霍克,休·格蘭特,史蒂芬·桑德海姆,安吉拉·蘭斯伯瑞,娜塔莎·雷昂,卡里姆·阿卜杜爾-賈巴爾,塞蕾娜·威廉姆斯,馬友友,約瑟夫·高登-萊維特,丹·查里頓,艾迪·戈羅杰茨基,亞當·達文波特,詹姆斯·佩頓,杰克·塔珀科技業億萬富翁邁爾斯·布朗（愛德華·諾頓 飾）邀了幾位感情深厚的摯友到他的希臘私人小島渡假，不料卻有人命喪于此！這座世外桃源原來并不如想像中美好。命案既出，大偵探布蘭科（丹尼爾·克雷格飾）此時不出馬更待何時？且看他如何解開重重謎團！
姐妹董事會
蕾切爾·蕾·庫克,丹妮拉·莫奈,列奧尼達斯·古拉普蒂斯公司高管梅根成立了一個董事會，以改善她妹妹混亂的生活，并與一位心理學教授墜入愛河，后者發現了她強硬的舉止。