在線播放
劇情簡介
又名:Lustforloveofachinesecourtesan,快活林名妓春姨(余安安)自老鴇死后,繼任主持妓院,暗中勾結官府,強搶良家婦女為娼;殺手小葉(張國柱)與春姨名為主仆,私丅里卻是相互寬慰的xing伴侶。小葉雖然噯慕春姨,但春姨只把祂當作自己賺錢發泄的工具。噯奴(胡冠珍)被人販子強行掠走,就地賣入了快活林;噯奴受盡折磨,始終不屈,春姨冷眼旁觀,暗暗佩服;愛奴終在一次投標大會中,慘遭官紳商賈輪奸,此后遍立誓要逃出快活林這個人間煉獄。
同類好片
人氣佳作
爵士之王
保羅·惠特曼,約翰·博爾斯,勞拉·拉普蘭特,珍妮特·洛夫,格倫·特萊昂,William Kent,斯利姆·薩默維爾,The Rhythm Boys,凱瑟琳·克勞福德,卡拉·萊姆勒,Stanley Smith,George Chiles,Jack White,Frank Leslie,沃爾特·布倫南,Churchill Ross,約翰·阿利奇,內爾·歐黛,Harry Barris,Bobbe Brox,Kathlyn Brox,Lorraine Brox,André Cheron,平·克勞斯貝,杰克·富爾頓替補悍警
鮑勃·奧登科克,琳娜·海蒂,布倫丹·弗萊徹,亨利·溫克勒,布萊恩·川上,莎莫·H·豪威爾,德里克·巴恩斯,杰西卡·麥克勞德,Dan De Jaeger,Reena Jolly,勞倫·科克倫,大衛·勞倫斯·布朗,卡森·納特拉斯,彼得·新田,辻將太,辛妮·比斯頓,比利·麥克萊倫,瑞恩·艾倫,艾倫·默克,Takahiro Inoue怪形
庫爾特·拉塞爾,威爾福德·布利姆雷,TK·卡特,大衛·科列儂,凱斯·大衛,理查德·戴薩特,查爾斯·哈拉漢,Peter Maloney,理查德·馬蘇爾,唐納德·莫法特,喬爾·波利斯,托馬斯沃特斯,諾伯特·魏塞爾,拉瑞·弗蘭科,納特·歐文,阿德里安娜·巴比歐,約翰·卡朋特,杰德辣手警花
桑德拉·布洛克,梅麗莎·麥卡西,德米安·比齊爾,馬龍·韋恩斯,邁克爾·拉帕波特,斯波肯·瑞恩斯,邁克爾·麥克唐納,丹·巴克達爾,比爾·伯爾,杰西卡·查芬,內森·科德里,塔蘭·基拉姆,簡·庫丁導演精選
玩具熊的五夜驚魂2
官方宣布第二部
披薩電影
一個害羞的大學生和他魯莽的室友開始了一個簡單的任務去拿披薩,但在服用了一劑奇怪的令人心智的實驗藥物后,他們陷入了一個混亂的夜晚,荒謬的遭遇、瘋狂的幻覺和意外的啟示,這些啟示可能會永遠改變他們的生活。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster