火宅之人
因各種煩心事而焦慮不安,就如同著火的房子一般,這樣的人稱作;火宅之人。 前妻去世后,作家桂一雄(緒形拳 飾)娶順子(いしだあゆみ 飾)為妻,夫妻倆連同五個孩子的生活倒也和順。然一場災(zāi)難不幸降臨,次子次郎(一柳信之 飾)罹患腦炎,生活不能自理。深受打擊的順子從此迷信宗教,家庭關(guān)系日漸緊張。在此期間,一雄結(jié)識同樣來自九州的年輕女演員矢島惠子(原田美枝子 飾),并邀請惠子和他一同外出參加太宰治文學(xué)碑的剪彩儀式。回到家中后,一雄坦白了這段不倫之戀,順子憤而離家出走,一雄則干脆搬到賓館,與惠子沉浸在無盡的歡愉之中 本片改編自檀一雄同名小說,并榮獲日本電影學(xué)院獎最佳電影、最佳導(dǎo)演、最佳男主角、最佳女主角等7項大獎。
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大司機
瑪麗亞·貝羅,安·唐德,威爾·哈里斯,瓊·杰特,奧林匹婭·杜卡基斯,Jennifer Kydd別開門
徐立,曲少石,楊瓏,劉著,劉金,曹禹澄,李鶴楠,趙洪紀(jì),李昕芮,王昌,熊競宇國家韋恩:念舊
Wayne Colley,Tamara Stackhouse,Lauren Cadogan,Savannah Gurule養(yǎng)鬼吃人3
Terry Farrell , Paula Marshall , Kevin Bernhardt , Doug Bradley塘鵝暗殺令
朱莉婭·羅伯茨,丹澤爾·華盛頓,山姆·夏普德,約翰·赫德,托尼·戈德溫,詹姆斯·希金,威廉·阿瑟東,羅伯特·考普,斯坦利·圖齊,休姆·克羅寧,約翰·利思戈,安東尼·希爾德,尼古拉斯·伍德森,斯坦利·安德森,約翰·芬血統(tǒng)殺人魔
肖妮·史密斯,塔恩·曼寧,泰瑞斯·吉布森,布魯斯·鄧恩,James Gaudioso,德魯·莫爾萊恩,蒙塔娜·吉利斯,Kresh Novakovic,薩爾·倫迪諾,Adam Shippey,丹尼爾·科斯格羅夫,Jennifer King,約翰·D·希克曼,Anthony Gaudioso,Caroline DeGrave,Anthony Aquilino,Christine Altan,Byron Clohessy,馬特·菲力本,Tyler Simmons同類推薦
罪生咒
與丈夫離婚后,Alice必須承擔(dān)起單親母親的全部責(zé)任,照顧她全心全意愛著的兒子August,一個好奇的小男孩。他從小就對A、他的父親和他自己的故事充滿疑問。就連他的母親也從未談起過他的父親,August15歲那年,神秘的故事開始一點一點地跟隨他。他父親生前的囑托成為August從諾拉舞的秘密中發(fā)現(xiàn)恐怖的原因。在試圖讓他認(rèn)識到自己的業(yè)力同時,Alice相信理性和正義。Alice竭盡全力拯救她所愛的兒子。但她越是反抗并帶領(lǐng)August遠(yuǎn)離現(xiàn)實,詭異和奇怪的事件不斷升級,直到August陷入危險。決定返回尋找過去的真相。August生命危在旦夕,當(dāng)Lambam家的門打開時,里面的木樁從過去一直建到了現(xiàn)在,與她一起打開的是Lambam家的老管理員Cherd叔叔,他知道整個故事。業(yè)力和所欠的誓言已經(jīng)開始要求償還
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
韓塞爾與葛雷特
千正明,陳智熙,沈恩敬,殷元在因母親染病,青年李恩洙(千正明 飾)驅(qū)車向家中趕去,但中途遭遇車禍,翻到路邊。當(dāng)他從昏迷中醒來時,發(fā)現(xiàn)眼前站著一個有如天使般的女孩子(沈恩京 飾)。在這個名叫英姬的女孩的引導(dǎo)下,恩洙隨之來到了女孩位于密林深處的家。那是一幢宛如從童話書中出來的夢幻而華美的大房子,家中擺放著各種各樣精巧可愛的飾品。這里住著英姬、她的父母、哥哥萬福(殷元宰 飾)以及妹妹貞順(陳智熙 飾)。疲勞疼痛的恩洙起初并未察覺絲毫一樣,可是他很快便發(fā)現(xiàn),如此美好的童話所在竟成為永遠(yuǎn)無法逃離的樊籬…… 本片榮獲2009年葡萄牙奇幻國際電影節(jié)評委會特別獎。
再會亡靈
雷娜特·賴因斯夫,安德斯·丹尼爾森·李,巴哈·帕斯,比約恩·桑德奎斯特,揚·海恩凱維奇,本特·博瑟姆,Denise Trankalis,Olga Damani,Inesa Dauksta,Kian Hansen在一個異常炎熱的日子里,三個不同的家庭發(fā)現(xiàn)了一個奇怪的秘密——他們剛剛死去的親人又回來了。他們不知道該怎么辦——這些不是毫無意識的僵尸,而是完全不同的東西。但究竟是什么呢?
鏢人:風(fēng)起大漠
吳京,謝霆鋒,于適,陳麗君,孫藝洲,此沙,李云霄,梁家輝,張晉,惠英紅,張譯,李連杰,劉耀文,熊瑾怡,莒謙朗,白那日蘇,梁壁熒,文俊輝,董思成,林秋楠,景瓷,張藝瀧,李嘉輝,寇占文,代樂樂,釋彥能,徐向東,淳于珊珊,孟鶴堂,于榮光,陳少熙,趙箭,袁和平大漠之上,鏢人、官府、西域五大家族等多方勢力盤根錯節(jié)、暗潮涌動。“天字第二號逃犯”刀馬接下特殊押鏢任務(wù),和同伴一起從西域護(hù)鏢遠(yuǎn)赴長安。不料,他們的護(hù)送對象竟是“天字第一號逃犯”知世郎……天下熙熙皆為利來,各方勢力聞風(fēng)入局,搶鏢廝殺接連上演……