女教師日記3:隱藏的性
私立風間高中2年B班的級任老師永瀨聰子(大竹一重暫無內容飾)雖然美麗,卻內向保守。她鮮少和同事們交流,在學生面前似乎也逆來順受,完全沒有個性。偏偏班內的學生日向政明(齊藤陽一郎暫無內容飾)是個無心學業、喜好尋釁滋事的不良少年。他尤其喜歡欺負聰子老師,經常用言語挑逗羞辱。聰子雖然不勝暫無內容其擾,卻也漸漸喜歡上這個與眾不同的男孩。夜晚,聰子和日向化名麗莎和洛克,在網上的虛擬聊天室互訴衷情。只是日向完全不知道麗莎的身份,甚至還把她幻想成同班那位品學兼優的美麗女孩遠子(中野若葉暫無內容飾)。日向渴望與麗莎見上一面,而聰子卻遲遲未能邁出那一步暫無內容 本片為女教師日記系列的第三部。
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劇情簡介
私立風間高中2年B班的級任老師永瀨聰子(大竹一重暫無內容飾)雖然美麗,卻內向保守。她鮮少和同事們交流,在學生面前似乎也逆來順受,完全沒有個性。偏偏班內的學生日向政明(齊藤陽一郎暫無內容飾)是個無心學業、喜好尋釁滋事的不良少年。他尤其喜歡欺負聰子老師,經常用言語挑逗羞辱。聰子雖然不勝暫無內容其擾,卻也漸漸喜歡上這個與眾不同的男孩。夜晚,聰子和日向化名麗莎和洛克,在網上的虛擬聊天室互訴衷情。只是日向完全不知道麗莎的身份,甚至還把她幻想成同班那位品學兼優的美麗女孩遠子(中野若葉暫無內容飾)。日向渴望與麗莎見上一面,而聰子卻遲遲未能邁出那一步暫無內容 本片為女教師日記系列的第三部。
同類好片
特殊檢測
燭影危林
卡羅琳·麥柯米克,喬爾·托貝克,里桑·瓦倫丁時光插班生
李冠明,許媛媛,張天天走出叢林
布里姬特·霍博梅爾,Sarah Zaharanski犯罪讀者俱樂部
Veki Velilla,Iván Pellicer,阿爾瓦羅·梅爾,卡洛斯·阿爾凱德,瑪麗亞·賽爾祖埃拉,普利西婭·戴爾加多,丹尼爾·格勞,Carmela Lloret,Ane Rot,Hamza Zaidi狂犬病1977
瑪麗琳·錢伯斯,弗蘭克·穆爾,喬·西爾弗,霍華德·雷什潘,帕特麗夏·蓋奇,蘇珊·羅曼,Roger Periard,Lynne Deragon,Terry Schonblum,Victor Désy,Julie Anna,Gary McKeehan,Terence G. Ross,米格爾·費爾南德斯,Robert O'Ree,艾倫·莫伊爾,Malcolm Nelthorpe,瓦拉斯塔·瓦拉納,彼得·麥克內爾,Una Kay,Robert A. Silverman,Isabelle導演精選
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
無形的本質
暑假將至,十歲的格洛麗亞陪同身為護士的母親安東尼婭去醫院上班。格洛麗亞對醫院早已熟悉,經常獨自探索。有一天,她遇到了同樣十歲的索菲亞。索菲亞來醫院是因為她的祖母:比薩·弗朗西斯卡,一位患有阿爾茨海默癥的精神治療師,因家中發生意外而住院。索菲亞和母親西蒙娜對比薩的下一步安排意見不一。西蒙娜堅持認為她應該暫時留在醫院;索菲亞則渴望將祖母送回鄉下的家中。格洛麗亞和索菲亞夢想著離開醫院,而她們的母親——都是單親媽媽,則與她們建立了信任和相互支持的紐帶。死亡與重生的循環對格洛麗亞、索菲亞、安東尼婭和西蒙娜來說意義深遠。當比薩即將離世時,安東尼婭負責她的臨終關懷。在鄉下,他們發現一個社區正在等待比薩,準備為流浪的靈魂祈禱,以便他們能夠繼續前行。
阿爸請你嘛嘛吼
一名對父親誤解深重的女兒(嚴正嵐飾),在父親性命垂危時決定「觀落陰」,試圖喚回父親靈魂,并意圖將千萬家產據為己有。