持金畫筆的男人

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別名:Der Mann mit dem goldenen Pinsel (1969)  nbsp; 又名: L uomo dal pennello d oro 艾德薇姬 middot;芬妮齊經典系列喜劇之一   

即刻觀影

劇情賞析

別名:Der Mann mit dem goldenen Pinsel (1969)  nbsp; 又名: L uomo dal pennello d oro 艾德薇姬 middot;芬妮齊經典系列喜劇之一   

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第六感1999

布魯斯·威利斯,海利·喬·奧斯蒙,托妮·科萊特,奧莉維亞·威廉姆斯,唐尼·沃爾伯格,特拉沃·摩根,彼得·安東尼·唐伯蒂斯,格倫·菲茨杰拉德,米莎·巴頓,Lisa Summerour,法爾德斯·巴姆,杰弗里·澤布尼斯

 麥克(布魯斯·威利斯 飾)是著名兒童心理學家,卻也有始終未能治愈的患者,甚至因此遭到槍擊,這名少年隨后也飲槍自斃。這給麥克帶來很大心理陰影,一年后他找到另一個癥狀很像這名患者的男孩柯爾(海利·喬·奧斯蒙 飾),并耐心的做起了他的醫生??聽柌⒉蝗菀捉咏?,但麥克還是慢慢贏得 了他的信任,得知了柯爾的秘密。原來柯爾有著靈異的第六感,可以看到鬼魂。雖然這令人感到難以置信,但麥克在證實了事情的真相后還是幫助柯爾接受了這個事實??墒蔷驮趩栴}即將得到解決的時候,麥克卻在柯爾的引導下,發現了一個更令人震驚的秘密……

兩個世界一個愿望

漢黛·埃塞爾,梅廷·阿克杜爾格,哈塞·阿維尼·丹亞爾,Ipek Erdem,迪德姆·英瑟勒,塞爾坎·廷馬茲,Idil Firat,拉米·納林,Ilayda Orkut,Eylül Su Sapan,梅爾特·埃格·阿克,Ihsan Ilhan,Deniz Duygu K?se,Nazlican Demir,Erdal Bilingen

  一位世界著名的考古學家和一位務實的律師在童年紐帶多年后重新聯系,當時他們天真無邪的友誼變成了堅不可破的東西。

A-1頭條

李心潔,黃秋生,陳冠希,葛民輝,林家棟,梁家輝

  記者玲(李心潔飾)的男友Peter獲得一宗刑事案件的新聞線報,前去取證途中突然遭遇交通事故意外身亡。玲覺得事有蹊蹺,調查后發現一宗模特命案。女模特Helen裸死于家中浴缸,富豪之子張承志沒有不在場證據,但事件竟被警方低調處理,張承志的相關證據也被消除。玲為不愿男友枉死,誓要調查出事件真相,但報社總編輯曾達時(梁家輝飾)卻不愿為玲伸出援手。無奈之下,玲只好求助常常被追債的飛(黃秋生飾)與馬仔(葛民灰)幫助她調查真相。飛原來是警察出身,在調查中,他發現Peter的死因確有蹊蹺。隨著調查的進行,黑暗中的黑手不斷想將玲置于死地,究竟事件的真相能否登上報紙的A1頭條?真相與言論自由的賽跑,在香港的午夜開始。

幽靈鬼屋

勒凱斯·斯坦菲爾德,羅莎里奧·道森,歐文·威爾遜,蒂凡尼·哈迪斯,丹尼·德維托,杰米·李·柯蒂斯,蔡斯·W·狄龍,杰瑞德·萊托,J·R·阿杜西,克里克·威爾遜,本·布萊頓,林賽·蘭姆,查麗蒂·喬丹,費多爾·斯蒂爾,特倫斯·羅斯摩爾,邁克·貝尼特斯,埃里卡·科爾曼,克里斯托弗·溫徹斯特,喬·科伊,格拉倫·布萊恩特·班克斯,瑪麗露·亨納爾,史蒂夫·齊西斯,安德魯·莫爾加多,尼科·戈麥斯,庫爾特·岳,哈桑·明哈杰,丹·列維,埃里克·羅溫,塞巴斯蒂安·蘇戴斯,特蕾西·古德,卡姆蘭·謝赫,薇諾娜·瑞德,羅伯特·廷斯

  影片靈感來自迪士尼樂園同名游樂設施,“在一個讓人不寒而栗的鬼屋中進行一趟令人毛骨悚然的旅行,有幽靈、食尸鬼和超自然力量帶來的驚嚇”,聚焦一個搬進了這棟豪宅的家庭。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

鬧鬼校園

中山優馬,島崎遙香,大野拓朗,高橋瑪莉潤,安井謙太郎,大和田伸也

  自幼能夠看到恐怖幽靈的八神森司(中山優馬 飾),在高中時邂逅了被神秘鬼影糾纏的后輩小歷(島崎遙香 飾)。他雖然喜歡對方,卻由于自身膽怯的性格始終無法表白。第一年沒有考上大學,經過一番努力森司如愿進入期望的高校,并且和小歷重逢。在此期間,他聽說小歷和童年好友加入了某個超自然研究會,聯想到高中的事件,森司無法對小歷放任不管,于是也硬著頭皮加入進去。這群個性滿滿的年輕人每天追蹤各類神秘事件,不久后校園內開始出現離奇現象,而小歷也成為惡靈狙擊的目標……  本片根據第19屆日本恐怖小說大獎讀者獎獲得者櫛木理宇的同名作品改編。