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復仇公主斯嘉麗
蘆田愛菜,岡田將生,役所廣司,市村正親,吉田鋼太郎,齊藤由貴,松重豐,山路和弘,柄本時生,青木崇高,染谷將太,白山乃愛,白石加代子在戰火紛飛的中世紀王國中,手握利劍的斯嘉麗公主為替父報仇毅然踏上征途,卻以失敗收場。當她再次醒來時,發現自己身處神秘的“死者之國”。在那里,她邂逅了一位來自現代的理想主義青年;他的善意與慈悲,動搖了她心中根深蒂固的仇恨。當殺父仇敵再度現身,斯嘉麗必須做出抉擇:是繼續執念于復仇,還是尋找到仇恨之外的人生意義。
走心男
權相佑,文彩元影片翻拍自阿根廷電影《膝下無子》,講述了高中時期遇見初戀的男人無意間將家庭史變成秘密而展開的一系列風波浪漫喜劇故事。
全職
勞爾·卡拉米,安妮·蘇亞雷斯,杰納維夫·馬尼奇,Nolan Arizmendi,Sasha Lemaitre Cremaschi,西里爾·蓋伊,露西·加洛,Agathe Dronne,瑪蒂爾德·韋爾,Dana Fiaque,Mareme N'Diaye,奧利維爾·法利茲,伊琳娜·穆雷勒,Aymeline Alix,Karimouche,Evelyne El Garby Kla?,Céline Perra,Nazareth Agopian,法布里斯·阿夫拉姆,Olivier Hardoui朱莉在巴黎一家豪華酒店打工,工作非常辛苦,還要努力照顧在鄉下的兩個孩子。后來,她得到了一個期待已久的工作面試機會,但一場全國性的罷工爆發了,導致公共交通系統陷入癱瘓。一直以來,朱莉努力在生活中維系著一種平衡,而這種脆弱的平衡被突發事件所打破。為了得償所愿,她冒著隨時都會碰壁乃至失去一切的風險,開始了一場與時間的瘋狂賽跑。
未來學大會
羅賓·懷特,哈威·凱特爾,喬恩·哈姆,保羅·吉亞瑪提,柯蒂·斯密特-麥菲,丹尼·赫斯頓,薩米·蓋爾,邁克爾·斯塔爾-大衛,邁克爾·蘭德斯,莎拉·夏希,埃德·科爾賓,克里斯托弗·B·鄧肯,埃文費蘭特,弗蘭西絲·費舍曾經名噪一時的女明星羅賓·懷特(羅賓·懷特 Robin Wright 飾)早已過氣,45歲的她因為執拗和任性毀掉的很多機會,也讓公司老板杰夫(丹尼·赫斯頓 Danny Huston 飾)漸漸失去了耐心。杰夫逼迫她簽下演員生涯最后一份合約,從此羅賓的名字和三維掃描后的虛擬 形象只能出現在公司的展示墻上和數字時代的電影中。羅賓起初極度抵制,但在經紀人艾爾(哈威·凱特爾 Harvey Keitel 飾)的竭力勸說下,同時考慮到兒子亞倫(柯蒂·斯密特-麥菲 Kodi Smit-McPhee 飾)的狀況,這個倔強的女人選擇妥協。20年后,羅賓驅車前往亞伯拉荷馬參加未來學大會,而那里是一個全動畫封鎖區。以動畫形象示人的羅賓將經歷一次難忘的旅程…… 本片根據波蘭科幻、哲學、未來學作家斯坦尼斯拉夫·萊姆的短篇小說改編。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster