十月，十一月

評分：8.1 播放：11萬 更新：2026-04-25

故事以姐妹情仇為主題，描述炙手可熱的女明星妹妹，與被迫留在阿爾卑斯山下小鎮(zhèn)繼承家業(yè)的姐姐，當(dāng)她們因父親病重而重新聚首，姐妹之間的傷痕糾結(jié)痛楚。 一對疏遠(yuǎn)已久的姊妹，妹妹頌雅早早離家闖蕩浮華都會，成為炙手可熱的女明星，姊姊薇瑞娜卻被要求繼承家業(yè)、結(jié)婚生子后困守小小山城，鎮(zhèn)日陪父親靜看歲月馀暉。 離散的兩人因父親病重的消息聚首，收斂起多年的幽微心結(jié)，兩人在羸弱老父面前扮演親愛姊妹，但各自生命的缺口、難以釋懷的憾恨，令這表面的和平逐漸崩解，當(dāng)糾結(jié)的傷痕浮現(xiàn)，另一個(gè)難言的秘密戀情也悄悄揭露，血濃于水的親情，能否抵御一場場驟至的人生風(fēng)暴？

影片推薦

宇宙之門

迪安娜·羅素,尼爾·霍普金斯,托勒密·斯洛克姆,格雷琴·洛奇,基思·赫德森,娜塔莎·戈特,喬治娜·布萊克利奇,Michele Weaver,Clint Jung,Paul McCarthy-Boyington,Salvita Decorte,Shellye Broughton,Danielle Lewis,Phet Mahathongdy,Albert A. Vega

天山玉女劍

黃秋燕,溫兆倫,楊麗菁,關(guān)秀媚,湯鎮(zhèn)業(yè),惠英紅,關(guān)海山

解放3：主攻方向

米哈伊爾·諾日金,尼古拉·奧拉寧,米哈伊爾·烏里揚(yáng)諾夫,拉里莎·戈盧布金娜,Bukhuti Zakariadze,瓦西里·舒克申,尼古拉·雷布尼科夫,弗拉季斯拉夫·斯特爾熱利奇克,Yevgeni Burenkov,阿納托利·羅馬申,彼得·謝爾巴科夫,伊萬·彼列維捷夫,弗拉德連·達(dá)維多夫,謝爾蓋·哈欽科,德米特里·弗蘭科,T?nu Aav,Fred Alexander,Ingrid Andrina,維克多·阿夫久什科,Iren Azer,Viktor Bajkov,Martha Beschort-Diez,

圣誕老人-N：紅色覺醒

謝爾比·斯旺森,保羅·A·羅西,小比利·約瑟夫

華氏247

絲柯·泰勒-考普頓,克里斯蒂娜·烏洛亞,特拉維斯·范·文克,邁克爾·科彭,泰勒·梅恩,Rene Etore,托尼克·戈格里基亞尼,Jeremy Inabnit,Igor Lukin,Ibrahim Idowu,Michael Zaalishvili,Michael Andrew,Beso Natsvlishvili,George Dugashvili,Mamuka Mazavrishvili II

正義聯(lián)盟：無限地球危機(jī)(下)

凱緹·薩克霍夫,迪恩·文特斯,馬克·哈米爾,寇瑞·斯托爾,雅士利·伯奇,布萊恩·布魯姆,布雷特·道頓,凱文·康瑞,杰森·斯皮薩克,艾爾西亞·羅塔魯,辛希亞·卡耶·麥克威廉姆斯,爾瑪·泰勒

同類精選

影視排行

感染她嘴唇的欲望2025

鵜川もえか,渡邉結(jié)衣,原田英里佳,新嘉喜由芽

本片改編自寄田みゆき創(chuàng)作的同名漫畫。伊藤早奈是一個(gè)可愛的女高中生，生活充滿了快樂，但從未體驗(yàn)過戀愛的感覺。因?yàn)檐嚨溩≡旱脑缒危卺t(yī)院里被一個(gè)非常漂亮的女生吸引了。于是，一段青澀甜蜜的戀愛開始了！

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

臨冬

瓊·拉斯皮尤爾

an experimental work by the Negu Collective, all of them former students of the ESCAC in Barcelona.

尋磚

張亮,鄂靖文,劉俊孝,鄭強(qiáng),趙毅,李寶安,紅花,傅花道,耿一正,周培巖

野長城丟了一塊磚，富貴為了尋找自己藏在磚里的戒指，踏上尋磚之路。