自由夫人

★ 0.8 播放:33萬 更新:2026-04-25
主演:韓瀅模 

描述朝鮮戰(zhàn)爭后南韓婦女的地位。對爭取獨立,選擇外出工作的女性似帶有懷疑態(tài)度。

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劇情簡介

描述朝鮮戰(zhàn)爭后南韓婦女的地位。對爭取獨立,選擇外出工作的女性似帶有懷疑態(tài)度。

導演精選

愛情坐標

探索現(xiàn)代浪漫的起起落落。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

走心男

影片翻拍自阿根廷電影《膝下無子》,講述了高中時期遇見初戀的男人無意間將家庭史變成秘密而展開的一系列風波浪漫喜劇故事。