天蝎座之夜3
A暫無內(nèi)容young暫無內(nèi)容couple's暫無內(nèi)容sex暫無內(nèi)容acts暫無內(nèi)容are暫無內(nèi)容witnessed暫無內(nèi)容by暫無內(nèi)容a暫無內(nèi)容young暫無內(nèi)容man暫無內(nèi)容through暫無內(nèi)容a暫無內(nèi)容hole暫無內(nèi)容in暫無內(nèi)容the暫無內(nèi)容wall.暫無內(nèi)容When暫無內(nèi)容the暫無內(nèi)容wife暫無內(nèi)容seduces暫無內(nèi)容him,暫無內(nèi)容they暫無內(nèi)容engage暫無內(nèi)容in暫無內(nèi)容an暫無內(nèi)容illicit暫無內(nèi)容affair.暫無內(nèi)容Chaos暫無內(nèi)容ensues暫無內(nèi)容when暫無內(nèi)容the暫無內(nèi)容husband暫無內(nèi)容learns暫無內(nèi)容about暫無內(nèi)容them.
在線播放
劇情簡介
A暫無內(nèi)容young暫無內(nèi)容couple's暫無內(nèi)容sex暫無內(nèi)容acts暫無內(nèi)容are暫無內(nèi)容witnessed暫無內(nèi)容by暫無內(nèi)容a暫無內(nèi)容young暫無內(nèi)容man暫無內(nèi)容through暫無內(nèi)容a暫無內(nèi)容hole暫無內(nèi)容in暫無內(nèi)容the暫無內(nèi)容wall.暫無內(nèi)容When暫無內(nèi)容the暫無內(nèi)容wife暫無內(nèi)容seduces暫無內(nèi)容him,暫無內(nèi)容they暫無內(nèi)容engage暫無內(nèi)容in暫無內(nèi)容an暫無內(nèi)容illicit暫無內(nèi)容affair.暫無內(nèi)容Chaos暫無內(nèi)容ensues暫無內(nèi)容when暫無內(nèi)容the暫無內(nèi)容husband暫無內(nèi)容learns暫無內(nèi)容about暫無內(nèi)容them.
人氣佳作
暗殺國度
奧黛莎·楊,阿布拉,蘇琪·沃特豪斯,哈莉·尼夫,科爾曼·多明戈,丹尼·拉米雷斯,喬爾·麥克哈爾,茉德·阿帕圖,科迪·克里斯蒂安,比爾·斯卡斯加德,庫倫·莫斯,貝拉·索恩,小凱文·哈里森,阿尼卡·諾尼·羅斯,杰夫·波普,諾亞·蓋爾文魔力，魔力
艾米莉·布朗寧,邁克爾·塞拉,朱諾·坦普爾,卡塔琳娜·桑地諾·莫雷諾,阿古斯丁·席爾瓦一個明星的誕生1976
芭芭拉·史翠珊,克里斯·克里斯托弗森,加里·布塞,奧利弗·克拉克,Marta Heflin,莎莉·柯克蘭德,喬安妮林維爾,保羅·馬祖斯基,斯蒂芬·布魯頓,Donnie Fritts,Booker T. Jones,Jerry McGee,比爾·格雷厄姆,麗塔·考里基,托尼·奧蘭多,伊索·阿克瑞恩,羅伯特·英格蘭德,梅迪·諾曼,Susan Richardson遠(yuǎn)山淡影2025
廣瀨鈴,二階堂富美,吉田羊,卡米拉·愛子,松下洸平,三浦友和,柴田理惠,渡邊大知,鈴木碧櫻導(dǎo)演精選
調(diào)味的房子
20世紀(jì)末，波黑戰(zhàn)火籠罩的巴爾干地區(qū)。聾啞少女安吉爾（羅茜·戴伊 Rosie Day 飾）目睹了親人鄰居被武裝分子殘忍殺害的一幕，在此之后她也失去自由，與數(shù)名同齡女孩被擄至暴徒維克托（凱文·霍華斯 Kevin Howarth 飾）所盤踞的地獄之所。女孩們被迫淪為性奴，飽受摧殘與折磨，生命卑微有如在暴風(fēng)雨中搖曳的燭火。身處無聲世界的安吉爾似乎得到上天微薄的憐惜，她每天的工作便是穿梭于各個房間，為女孩們擦拭血跡，注射藥物，緩解疼痛，小小年紀(jì)卻見識了人世間最殘酷的景象。慘無人道且防守嚴(yán)密的人間煉獄，安吉爾決定帶著姐妹們逃出生天。當(dāng)殺母仇人格倫突然來到此地，一切走向失控的邊緣…… 本片榮獲2013年葡萄牙國際奇幻電影節(jié)影評人選擇獎。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
親陌公園
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