電車魔女
別名：揺れる電車の中で 女教師のy-らなアルバイト 年青性感香甜的河崎教員，是獨身漂亮女郎，在電車常被色郎襲胸摸屁股，種種性騷擾，但她泰然自若，好像已習氣咸豬手，聽憑車上男人撫，得到性肆的影響快感，個人也振奮起來。任教現已三個月，但她十分熱心她的作業。 但是，她心里的隱秘不能泄漏給他人。當她仍是個學生，她從她的兄弟借來的錢，但沒有清晰的巨額債款與她的菲薄薪酬的教員。不甘愿，她成了一名妓女，使疾速，輕鬆掙錢。她摀住臉，她的豪乳，暴露在拍攝鏡頭的視訊談天室印象前面，搓揉雙奶，也享受到自我解決的性娛，到達某些欲望中意，一起可用情丨色來蠱惑更多的顧客點閱。 可憐的事，這是眾所周知的性場景之一，被她的學生石井一明發覺，斷定河崎教員援交現實。從此，學生石井一明斗膽藉口挾制教員，需求她在電車與室內做肉體觸摸。逐步石井愛上女教員，愿協助教員還賬，石井暗中去出賣靈肉，充任S丨M牛郎掙錢。河崎教員深受感動，熱心自動托衣獻身相報。 料想不到，石井一明不小心墜落河崎教員不勝入眼的相片，被訓導主任伊藤男教員搶走，伊藤竟然以此理由鉗制河崎教員，目的加以強暴。幸經石井一明發覺，以球棒擊潰伊藤而解危，師生蕩愛情繼續下去，也形成形勢越來越難以操控
即刻觀影
劇情賞析
編輯推薦
儀式殺手
科爾·豪瑟,摩根·弗里曼,Murielle Hilaire,Vernon Davis一名即將退休的偵探與一名非洲研究教授一起追查一名正在執行古老黑魔法練習 Muti 的連環殺手。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
一馬當先
Biju Menon,阿西夫·阿里,Miya George退休的副警察局長烏達亞巴努（Udhayabhanu）在電視節目中講述了他職業生涯中的一些事件。這就是他如何揭示其職業生涯中具有里程碑意義的 “切帕南托塔案 ”中耐人尋味的細節。當嚴厲的巡回督察賈亞山卡爾（Jayashankar）和巡警卡爾蒂克（Karthik）開始一起工作時，一連串的事件就開始了。他們經常因為處理情況和解決問題的方法不同而發生沖突。在家人、朋友、敵人和上司的注視下，他們以各自獨特的風格，試圖解開糾纏不清的困境。誰能迎接挑戰，又能以多快的速度完成任務？
巨獸格果
比爾·特拉弗斯,威廉姆·西爾維斯特,文森特·溫特,Christopher Rhodes,約瑟夫·奧康納,布魯斯·西頓,馬丁·本森,莫里斯·考夫曼,瓦西里·迪格納穆50年代，美國拍了《原子怪獸》，日本拍了《哥斯拉》，50年代末期英國又趁熱打鐵拍了《海底巨獸》。1961年又和米高梅合拍了《巨獸格果》。 《巨獸格果》不像其他怪獸電影那樣，怪獸開頭都是神龍見首不見尾，最后城市大戰時露個全身。本片中怪獸破壞的鏡頭完完全全的展現在觀眾面前，拆了倫敦塔橋，還推到了大本鐘。最后全憑兩雙大腳一路踩爆房屋，磚瓦四濺，相當過癮。本片講述了人類抓到了一只可愛的小怪獸——格果，然后把它關進馬戲團里，哪知道后來把怪獸老娘惹來了…
地下世界
喬治·班克羅夫特,艾弗琳·布倫特,克里夫·布洛克,弗萊德·科勒,海倫·林奇,拉里·塞蒙,Jerry Mandy,Alfred Allen,Shep Houghton,Andy MacLennan,Julian Rivero依據1922年的兇殺案改編，描寫販賣私酒的匪幫和警方角力的故事。影史第一次以盜匪當主角，運用背面打光和煙霧，頗具藝術風格，廣受歡迎，也預示40年代黑色電影的來臨。
毛骨悚然撞鬼經 2025夏季特別篇
小栗旬,上野樹里,岡田將生,佐藤健,綾瀨遙,石原里美,出口夏希放送作品 黃泉の森（2004年） 行きずりの紊亂者（2004年） 右肩の女（2012年） 顔の道」2009年） 怨みの代償（2009年） S銅山の女（2014年） 或る訳ありの部屋（2025年）