紅天使淫畫腸
在百貨公司上班的土屋名美被她的已婚上司包養著,曾經為了賺錢她給一家色情雜志社拍過裸照。最近一段時間以來,名美總覺得有變態佬跟蹤她,而且常常接到只有粗重喘氣聲的電話。后來名美認定變態佬是一個半路上突然開始跟著她的年輕男子村木,但其實對方只是因為看過她的裸照而非常仰慕她而已。不久后,名美的上司發現了她拍裸照的事情,他擔心萬一將來兩人私情曝光影響事業,所以把名美辭退。名美感到生活沒了希望,這時村木又出現了,但他能讓名美走出陰霾嗎? 本片以片斷式的劇情向前發展直到結束,很多畫面被處理成透明的血紅色,還有很多鏡頭則頗具幻想色彩,所以整部電影讓人感覺就象是一場凌亂的夢。本片情色尺度是這個系列里最為大膽的,導演池田敏春很會拍這方面的戲,有些地方甚至還拍得非常具有藝術感,比如村木和名美冒著暴雨在健身公園里的那場,有一個俯拍的鏡頭就很有《黑客帝國》的感覺。此外,影片中有非常多的自慰戲,都拍得很不錯,其中最令人印象深刻的當屬一名少婦用雞蛋進行自慰的過程,想象力真的是好豐富啊。;
在線播放
劇情簡介
在百貨公司上班的土屋名美被她的已婚上司包養著,曾經為了賺錢她給一家色情雜志社拍過裸照。最近一段時間以來,名美總覺得有變態佬跟蹤她,而且常常接到只有粗重喘氣聲的電話。后來名美認定變態佬是一個半路上突然開始跟著她的年輕男子村木,但其實對方只是因為看過她的裸照而非常仰慕她而已。不久后,名美的上司發現了她拍裸照的事情,他擔心萬一將來兩人私情曝光影響事業,所以把名美辭退。名美感到生活沒了希望,這時村木又出現了,但他能讓名美走出陰霾嗎? 本片以片斷式的劇情向前發展直到結束,很多畫面被處理成透明的血紅色,還有很多鏡頭則頗具幻想色彩,所以整部電影讓人感覺就象是一場凌亂的夢。本片情色尺度是這個系列里最為大膽的,導演池田敏春很會拍這方面的戲,有些地方甚至還拍得非常具有藝術感,比如村木和名美冒著暴雨在健身公園里的那場,有一個俯拍的鏡頭就很有《黑客帝國》的感覺。此外,影片中有非常多的自慰戲,都拍得很不錯,其中最令人印象深刻的當屬一名少婦用雞蛋進行自慰的過程,想象力真的是好豐富啊。;
同類好片
外星博士
音樂之聲
朱莉·安德魯斯,克里斯托弗·普盧默,埃琳諾·帕克,理查德·海頓,佩吉·伍德,查爾敏·卡爾,希瑟·孟席斯-尤里克,尼古拉斯·哈蒙德,杜安·蔡斯,安吉拉·卡特懷特,黛比·特納,基姆·卡拉思,安娜·李,波希婭·納爾遜,本·懷特,丹尼爾·特魯希特,諾瑪·威登,吉爾克里斯特·斯圖爾特,馬妮·尼克松,埃瓦德妮·貝克,多麗絲·勞埃德,格特魯德·阿斯特,弗蘭克·貝克,史蒂夫·卡魯瑟斯,山姆·哈里斯,多羅西·吉金斯,利奧達·理查德斯,杰弗里·塞爾,伯納德·賽爾,諾爾曼·斯蒂凡斯,伯特史蒂文斯,瑪麗亞·馮·特拉普噬血芭蕾
阿麗莎·威爾,梅麗莎·巴雷拉,丹·史蒂文斯,凱瑟琳·紐頓,凱文·杜蘭,吉安卡羅·埃斯波西托,安格斯·克勞德,威廉·卡特列特,馬修·古迪靈語
是元介,吳可熙,鄭人碩,楊丞琳,禾浩辰,石知田,丁寧,李國超分裂: 黑色子彈
山姆·文森特,Dexter Bell,William 'Big Sleeps' Stewart,凱倫·霍爾尼斯,多隆·貝爾,Porsha Pointner,莎倫·泰勒,杰西·哈奇,塔米·吉利斯,Christina Lewall,Blaine Anderson,Jason Bell,Gagun Chhina,James Coupland,Brenda Crichlow,布拉德·凱利溫泉鯊
金子清文,藤村拓矢,中西裕胡,內藤正記,安原寛之,野二紀人導演精選
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
化身博士
基克爾(弗雷德里克·馬奇 Fredric March 飾)是一名知識非常淵博的科學家,他將畢生的經歷都投注到了探索人性的善惡奧妙之中,并且最終制造出了一種可怕的藥劑,這種藥劑能夠令基克爾化身成為海德先生,基克爾將自己所有的惡意和壞念頭都投射到了海德的大腦里。白天,基克爾行醫救人樂善好施,待到夜幕降臨,海德先生便會現身,殺人害命,無惡不作。基克爾有一位名叫伊芙(米利亞姆·霍普金斯 Miriam Hopkins 飾)的未婚妻,兩人之間的感情非常的要好,然而,海德先生的存在讓基克爾不自覺的被名叫碧翠絲(Eric Wilton 飾)的放蕩妓女所吸引。分裂的人格讓基克爾感到萬分的痛苦,他想要消滅海德先生。
巫咒
影片講述了萬香山腳有個黑頂子村,村里住著謝家三兄弟。某年冬天特別寒冷,謝老二違背了祖訓,偷偷進山采參,誰知回來后就神秘死去。村中人都認為謝老二是因為這是觸怒了山神,“山神降下了詛咒”才離奇死亡??