喋血劫花

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

火狐

　　蘇聯(lián)在1982年開(kāi)發(fā)了米格31噴氣機(jī)時(shí)，全世界大為驚恐，唯一對(duì)策只有盜取這架超性能之飛機(jī)，而有能力擔(dān)任此任務(wù)的就只有越戰(zhàn)空中英雄甘德，甘德終于被說(shuō)服由退休生涯中復(fù)出，接受一連串的特種訓(xùn)練后，前往俄國(guó)并與俄國(guó)特務(wù)數(shù)次交手，展開(kāi)一場(chǎng)驚心動(dòng)魄的激烈空戰(zhàn)……

二十五世紀(jì)宇宙戰(zhàn)爭(zhēng)

猩球崛起：新世界

　　故事設(shè)定在“猿流感”病毒蔓延全球的背景下，人類(lèi)幾近毀滅，而進(jìn)化為高級(jí)智慧生物的猿類(lèi)一躍成為食物鏈頂端的王者。時(shí)移世異，暴虐的猿類(lèi)首領(lǐng)賽撒（凱文·杜蘭 Kevin Durand 飾）在一片廢墟中建立起猿族歷史上的第一個(gè)帝國(guó)——“猩球”崛起，這是世界新秩序誕生的黎明時(shí)分。神秘的人類(lèi)女孩諾娃（弗蕾婭·艾倫 Freya Allan 飾）的出現(xiàn)，引起了賽撒的警覺(jué)。她似乎掌握著一個(gè)巨大的秘密，不僅關(guān)乎人類(lèi)的存亡，甚至可能再度顛覆整個(gè)“猩球”。被迫逃亡的諾娃在躲避賽撒軍隊(duì)的過(guò)程中，與青年猿類(lèi)諾亞（歐文·泰格 Owen Teague 飾）的命運(yùn)交匯，揭開(kāi)了一段冒險(xiǎn)的旅程。

甜蜜的家2025

《甜蜜家園2025》1小時(shí)52分導(dǎo)演金弘益主演尹智淑宋承憲劉成敏

分秒之間

　　The persona of a celebrated author is threatened when her best friend and muse reveals the dark secret behind her first novel's provenance, igniting an incendiary tale of sex, lies and betrayal.