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鐵血戰士：荒原
David Chokachi,Amulya Ananth,Vanessa ZanardiWhen an alien hunter arrives on post-apocalypse Earth, it takes down a gang of warlords and unexpectedly becomes a folk hero to the oppressed locals. Now with their support, the alien sets its sights on the warlords' ruthless leader.
瑪德琳的瑪德琳
海倫娜·霍華德,米蘭達·裘麗,莫莉·帕克,奧奎·奧克波克瓦西里,蘇妮特·瑪尼,費利佩·博尼拉,麗莎·薩爾斯,寇蒂斯·庫克,雷納爾多·皮涅拉,邁拉·盧克利希亞·泰勒,茱莉·塞爾達,達娜·埃斯科爾森,蘇澤特·古恩,邁克·霍奇,亞歷山德拉·塔塔爾斯基《瑪德琳的瑪德琳》是美國女導演約瑟芬·戴克最新的一部作品。這部電影講述了一個戲劇導演，在創作她最近的作品時所產生的故事。這也是約瑟芬·戴克的第14部作品。作品中的角色和她本人頗為相似，同樣作為導演的她，也是一名演員。戴克以往的作品，總是帶著一定程度上的形式化的美感，也顯露著女性特有的細膩。在她的作品中，鏡頭更像是一雙可以無限接近角色人物的眼睛，時刻捕捉著主觀視角下的人物的行動和當時的情內心狀態。
紅嫁衣：紙新娘
何雨宸,賀剛,邱俊龍,許諾,雷琨,張宸彬,徐喆,朱嘉鎮中元鬼節，陰間大門洞開！滔天鬼氣噴涌，無數怨靈哀嚎爬入人間！兇神惡煞的五猖兵馬手持染血鐵鏈，當街撕扯活人魂魄，慘叫聲撕裂夜空！修羅城瞬間化成鬼域！陰陽師葉無雙與厲飛云臨危受命踏入死地。然而，他們遭遇的，是遠超想象的極惡兇靈：紅嫁衣紙新娘！夜半三更，回魂之夜，四名慘白紙人，臉頰涂著詭異腮紅，嘴角裂至耳根，關節咔咔作響，抬一口薄皮棺材，腳不沾地，直撲國舅府。翌日，國舅僅剩一張人皮，被折成紙偶塞進棺中。紅嫁衣所過之處，寸草不生，活物絕跡！街坊鄰里，前日猶在寒暄，一夜之間，整條街住戶盡化僵硬紙人，臉上凝固著死前極致的恐懼！孩童撿起一張飄落的紅紙錢，當晚全家七竅流血，身體在慘叫中干癟脆裂，化作紙屑！紙新娘索命降臨，無人生還！修羅城，這座活人之城，被無法抗拒的怨氣拖向無間鬼蜮深淵………
藍絲絨
伊莎貝拉·羅西里尼,凱爾·麥克拉克丹尼斯·霍珀,勞拉·鄧恩,霍普·蘭格杰弗里（凱爾·麥克拉克倫 Kyle MacLachlan 飾）為了照料父親而回到了久違的家鄉小鎮，哪知道在誤打誤撞之中令一場兇殺案件浮出水面，杰弗里就此結識了負責調查此案的警察威廉斯（喬治·迪克森 George Dickerson 飾），以及他的女兒桑迪（勞拉·鄧恩 Laura Dern 飾）。桑迪告訴杰弗里，時間的真相或許和一個名叫多蘿西（伊莎貝拉·羅西里尼 Isabella Rossellini 飾）的歌女有關。 美麗神秘的多蘿西很快就令杰弗里失去了理智，他偷偷的潛入了多蘿西家中，恰巧發現了多蘿西正在被一個名為弗蘭克（丹尼斯·霍珀 Dennis Hopper 飾）的黑幫大佬虐待的事實。此時的杰弗里才開始意識到，在自己的視線范圍之外，發生著很多黑暗而又罪惡的可怕之事。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
利刃之刀鋒戰士
魏小歡,張博楠,馬暢,劉冰講述的是程崗所在的特警隊在局長陳海安的運籌帷幄下，與黃贊為首的走私犯罪集團斗智斗勇，最后將犯罪分子一網打盡的故事。展現了以程崗、沈欣為代表的特警，為破獲文物案和圍剿犯罪分子所作出的犧牲和奉獻。