隔壁女孩4
害羞的學(xué)生的浪漫?與隔壁一個(gè)迷人女孩的秘密性夢(mèng)！東河人是下一代東河人，他得到了他夢(mèng)dream以求的夢(mèng)想之屋，并渴望實(shí)現(xiàn)自己，盡管他每天都會(huì)和拉面一起吃飯，但他還是想要實(shí)現(xiàn)一段浪漫。我想嘗試Stripe，但是當(dāng)我遲到才意識(shí)到自己因?yàn)闆]有痕跡而沒有一個(gè)女人時(shí)，我發(fā)現(xiàn)自己迷住了，因?yàn)槲野l(fā)現(xiàn)一個(gè)迷人的女人（So-hee）從隔壁的門里出來(lái)，拿著隔離袋。東浩決定在一個(gè)月內(nèi)和她一起出去，但是他笨拙的沖動(dòng)和平常的膽小個(gè)性。我和Mina度過(guò)了一個(gè)美好的夜晚...那個(gè)時(shí)候，我聽到隔壁那個(gè)女孩子敲敲東浩自己家門的聲音，東浩能把隔壁那個(gè)女孩帶走嗎？
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好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
黑暗之下
丹尼斯·奎德,托尼·奧勒,艾米·緹加登,斯蒂芬·朗斯福德After watching their best friend get murdered, a group of teens struggle to expose a local hero as the vicious killer and keep from becoming his next victims.
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
交響詩(shī)篇超進(jìn)化2
動(dòng)畫《交響詩(shī)篇》的劇場(chǎng)版動(dòng)畫《交響詩(shī)篇 超進(jìn)化》續(xù)作預(yù)計(jì)于11月10日正式上映，正式片名定為《ANEMONE/交響詩(shī)篇超進(jìn)化》，宣傳PV今日公開。故事以TV動(dòng)畫《交響詩(shī)篇》中最初的東京為舞臺(tái)，故事主要圍繞7年前喪父的安妮莫奈展開。
哨兵
邁克爾·帕爾,杰森·R·摩爾,Ellie Patrikios,Denitza Diakovska,Neil Cole,Paolo Mazzini,John Stewart Arnold,Ivan King在外星人入侵幾乎滅絕人類的幾年后，人類難民在月球上的一個(gè)秘密基地，三個(gè)英雄決定跳入時(shí)間旅行，不顧一切地試圖拯救幸存者，但他們不知道哨兵正在等待他們。
他們之后的孩子
保羅·基爾舍,安吉麗娜·沃雷斯,賽義德·艾爾·阿拉米,阿娜伊斯·德穆斯蒂埃,露易絲·萊赫里,吉爾·勒盧什,路易·梅米,露德溫·塞尼耶,Denis Simonetta,Anouk Villemin一個(gè)關(guān)于愛、青春與友誼的美麗成長(zhǎng)故事。1992年8月，在一個(gè)被遺忘的山谷中，安東尼愛上了斯蒂芬妮。當(dāng)晚為了再次見到她，他偷借父親的摩托車去派對(duì)，翌日卻發(fā)現(xiàn)摩托丟失，他的生活也就此產(chǎn)生巨變。