天地正氣
該影片講述9.18事變后，大批文物向西南遷移，1939年，抬棺匠人宋忠義被年輕寡婦楊桃雇傭，送亡夫棺材回樂(lè)山安谷鎮(zhèn)安葬，路上遇到心懷叵測(cè)的道士想要搶奪棺材，被宋忠義趕跑后，楊桃說(shuō)出實(shí)話(huà)，她其實(shí)是故宮博物館的專(zhuān)家，棺材里面并非尸體而是文物寶藏，宋忠義妻女正是死于日本人之手，于是答應(yīng)護(hù)送文物至約定地點(diǎn)，一路上遭遇賣(mài)國(guó)賊埋伏，山賊攔截，親信背叛，在生死邊緣徘徊，最終抵達(dá)安谷鎮(zhèn)，將文物歸還給國(guó)家的故事。
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諾瑪·蕾
莎莉·菲爾德,博·布里奇斯,羅恩·雷布曼,帕特·亨格爾,芭芭拉·巴斯里,蓋爾·斯特里克蘭德,摩根·保羅,羅伯特·布羅伊爾斯,John Calvin,布思·科爾曼,李·德布魯,詹姆斯·路易西,Vernon Weddle,吉爾伯特·格林,鮑勃·米諾故事發(fā)生在一個(gè)南部小鎮(zhèn)的棉織廠(chǎng)，諾瑪（莎莉·菲爾德 Sally Field 飾）和她的家人都在這里工作。這個(gè)工廠(chǎng)的工作環(huán)境異常惡劣，工人們每天都經(jīng)受著資本家的無(wú)情剝削和艱辛勞動(dòng)。面對(duì)這種不公平的待遇，工人們備受壓迫和困擾。為了改變這種狀況，總工會(huì)派來(lái)了一名經(jīng)驗(yàn)豐富的組織者，希望能夠協(xié)助當(dāng)?shù)毓と私M織自己的工會(huì)，為工人們爭(zhēng)取更好的待遇和權(quán)益。然而，工人們對(duì)組織者的到來(lái)持有懷疑態(tài)度，他們心存疑慮，擔(dān)心這只是一個(gè)無(wú)望的嘗試。組織者面臨著許多困難和挑戰(zhàn)。工人們對(duì)他進(jìn)行冷嘲熱諷，老板則用各種無(wú)理阻攔來(lái)阻礙工會(huì)的成立。看到這一切，諾瑪內(nèi)心充滿(mǎn)了憤慨和不滿(mǎn)。她是一個(gè)有著堅(jiān)強(qiáng)意志的女性，對(duì)不合理的事物總是敢于挑戰(zhàn)。受到組織者的激勵(lì)和影響，諾瑪最終選擇站出來(lái)，成為了改變的先鋒。
人工情報(bào)
趙寅成,樸正民,樸解浚,申世景韓國(guó)國(guó)情院特工趙科長(zhǎng)，奉命追查跨國(guó)犯罪集團(tuán)，循著犧牲情報(bào)員的線(xiàn)索前往俄羅斯符拉迪沃斯托克，意外與朝鮮特工樸健狹路相逢。兩人圍繞核心情報(bào)源蔡善花展開(kāi)博弈，卻同時(shí)被各自國(guó)家拋棄，被迫在忠誠(chéng)、背叛與生死之間，聯(lián)手揭開(kāi)邊境諜戰(zhàn)的驚天黑幕。
DB
來(lái)自河北廊坊的說(shuō)唱少年，王笑，因一次意外打架事件背負(fù)巨額欠款。王笑母親在不明真相的情況下替王笑支付了該筆欠款，王笑知道后和母親大吵一架并且決定前往北京打工還債。來(lái)到北京之后王笑接連租房受騙，感情受挫，說(shuō)唱事業(yè)也無(wú)法繼續(xù)發(fā)展，而且再次欠下巨額欠款。王笑該如何面對(duì)這一切？
SPEC：翔
戶(hù)田惠梨香,加瀨亮,淺野優(yōu)子,谷村美月,福田沙紀(jì),神木隆之介,龍雷太,椎名桔平,城田優(yōu),緒方義博經(jīng)過(guò)長(zhǎng)時(shí)間的休整，治療眼傷的瀨文焚流（加瀨亮 飾）終于隨著當(dāng)麻（戶(hù)田惠梨香 飾）重返闊別已久的未詳，只是此時(shí)來(lái)自公安部公安五課的市柳（でんでん 飾）和吉川（北村一輝 飾）握得實(shí)權(quán)，令瀨文等人頗為氣悶。與此同時(shí)，在市井算命的覺(jué)被一掌握瞬間移動(dòng)能力的黑衣男子射殺，同時(shí)遇害的還有覺(jué)的保鏢以及幾名無(wú)辜市民。父母雙雙遇害而作為幸存者并且目擊了黑衣人真實(shí)容顏的少女久遠(yuǎn)望（谷村美月 飾）便成為對(duì)方追殺的目標(biāo)。為了保護(hù)小望，未詳同仁通力合作，并持續(xù)追索黑衣人的真面目以及其背后的陰謀。在此期間，當(dāng)麻也展示了其不為人知的SPEC。一場(chǎng)斗智斗勇的戰(zhàn)斗拉開(kāi)了序幕……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
我的朋友安德烈
劉昊然,董子健,殷桃,韓昊霖,遲興楷,董寶石,寧理,雷佳音,章若楠,張宥浩,薛寶鶴性格迥異的李默（劉昊然 飾）與安德烈（董子健 飾）因?yàn)樽闱虺蔀橹海粓?chǎng)意外卻讓安德烈跟隨年少往事一起消失在了李默的記憶中。多年后，李默在為父親奔喪路上與安德烈“重逢”，一段塵封的回憶被逐漸揭開(kāi)…… 電影改編自雙雪濤的同名小說(shuō)《我的朋友安德烈》。