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劇情簡介
男人從朋友那得知一個驚人的消息后,決定馬上試試。每天在接近午夜的時候偵察那幢房子周圍,如果運(yùn)氣好,會被一位姐姐選中,就能每天不分晝夜地度過美妙的時光。他在那里徘徊了好幾天,從墻根偷看了住在2樓的女人。終于窗戶打開了,她要求你幫她一個忙...
同類好片
神明2025
金圭麗,安閔尚地平線2024
凱文·科斯特納,西耶娜·米勒,薩姆·沃辛頓,吉娜·馬隆,歐文·克勞肖,塔坦卡·米恩斯,艾拉·亨特,蒂姆·金尼,丹尼·赫斯頓,柯林·坎寧安,斯科特·黑茲,湯姆·佩恩,阿比·麗,邁克爾·魯克,威爾·帕頓,喬治亞·麥克菲爾,道格拉斯·史密斯,盧克·威爾遜,伊莎貝拉·弗爾曼,杰米·坎貝爾·鮑爾,亞歷杭德羅·埃達(dá),Wasé Winyan Chief,邁克爾·安格拉諾,安古斯·麥克菲登,喬恩·比弗斯,亞歷克斯·尼布理,艾蒂安·凱利奇,Amos Jason Charging Cloud,博迪·奧庫馬·林頓,格雷戈里·克我是山姆
西恩·潘,達(dá)科塔·范寧,米歇爾·菲佛,黛安·韋斯特,洛雷塔·迪瓦恩,理查德·希夫,勞拉·鄧恩第七天堂
珍妮·蓋諾,查爾斯·法萊爾,Albert Gran,大衛(wèi)·巴特勒,瑪麗·莫斯奎尼,格拉迪斯·布羅克威爾,埃米爾·肖塔爾,Ben Bard,喬治·E·斯通,亨利·阿爾梅塔,Lewis Borzage Sr.,Dolly Borzage,瑪麗·鮑沙其,Sue Borzage,Italia Frandi,Venezia Frandi,Frankie Genardi,Lois Hardwick,Jessie Haslett,布蘭登·赫斯特冒牌人生
史哲文,樊瑞,董祥玉,任重,汪雨升悲情槍手
周里京,何麟,高穎,潘婕,黃達(dá)亮,談鵬飛,譚增衛(wèi),陳偉國人氣佳作
RRR
小老虎,拉姆·查蘭,阿賈耶·德烏干,阿莉雅·布哈特,奧利維亞·莫里斯,施芮婭·薩蘭,雷·史蒂文森,艾莉森·杜迪,塞繆拉卡尼,錢德拉·塞卡,馬卡蘭德·德斯潘德,拉杰夫·卡納卡拉,拉胡爾·拉瑪克里斯納,Edward Sonnenblick,Varun Buddhadev,Spandan Chaturvedi,馬克·班寧頓畫筆與旋律
Laura Chiatti,Salvatore Langella,Filippo Nigro審判者1
尹子維,李燦森,郭常輝,方川,陳禹銘,李夏佩,彭波,周超峰,孫鳴蔚,趙旭,陳青曄,劉靜怡,李歡相會在昨天
伊登·鄧肯-史密斯,亞斯特羅,瑪莎·斯蒂芬妮·布萊克,邁拉·盧克利希亞·泰勒,達(dá)馬里斯·劉易斯,弗蘭克·哈茨,布瑞特·G·史密斯,伊恩·安特曼,小巴靈頓·沃特斯,Dante Crichlow,Wavyy Jonez,Taliyah Whitaker,Johnathan Nieves,Manny Ure?a,Khail Bryant,Allen Holloway,Ejyp Johnson導(dǎo)演精選
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
迷失太空
公元22世紀(jì),因?yàn)槿丝谶^度膨脹、過度開發(fā)、環(huán)境極度惡化、食物也消耗殆盡。人類想要存活下去,就必須要到宇宙中去尋找新的可以棲身的星球。因此制造了一艘當(dāng)時最先進(jìn)的太空飛船,去考察發(fā)現(xiàn)的一顆可能適宜人類生存的星球。羅伯遜(威廉·赫特 William Hurt 飾)一家被選中擔(dān)負(fù)起了這次探索使命,他們將用10年的時間前往阿爾法星球。可是,這次擔(dān)負(fù)起全人類命運(yùn)的任務(wù)卻有反對的聲音,部分邪惡勢力妄圖阻止這次任務(wù)。所以,當(dāng)羅伯遜一家駕駛太空船剛進(jìn)入太空的預(yù)定軌道時,反對派史密斯博士暗中進(jìn)行破壞,導(dǎo)致飛船脫離的正常的軌道迫降到了一顆不知名的星球上。飛船上邪惡勢力的阻撓,不知名星球上的種種危機(jī),如何才能重新設(shè)定新的航線……各種問題困惑著羅伯遜一家,他們真的就此迷失太空,無法到達(dá)目的地了嗎?人類的命運(yùn)將何去何從?
醫(yī)神
田七(張達(dá)明 飾)是個精人,常喝醉打妻子當(dāng)歸(蔡少芬 飾),當(dāng)歸痛定思痛發(fā)誓要對夫報(bào)復(fù),剛巧城中富商羅漢果欲尋名醫(yī),當(dāng)歸于是謊稱丈夫會醫(yī)術(shù),并且要用精棍子揍田七,他才會應(yīng)允他人治醫(yī),羅漢果信以為真,不但將田七痛打一頓,并將其接入家中,于是一場啼笑皆非的鬧劇開始了……