性伴侶的品格
2011年に連載開始した原作は、女性読者を中心にシリーズ累計(jì)425萬(wàn)部を超えるヒット作。同窓會(huì)で再會(huì)した男女の、結(jié)婚でも戀愛でもない“體だけの関係”を通して、登場(chǎng)人物たちの複雑な感情のもつれや性の欲求が大膽に描かれてきた。映畫では同窓會(huì)での再會(huì)から、2人の心情?関係性が移り変わるさまが「セフレの品格（プライド）初戀」と「セフレの品格（プライド）決意」の2本にわたってつづられる。
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瑞典魚雷
Josefin Neldén,米克爾·福爾斯加德,Arthur S?rbring,麗莎·卡勒希德,貢內(nèi)爾·弗雷德魔法老師
西蒙·佩吉,凱特·貝金賽爾,羅賓·威廉姆斯,羅伯·里格爾,特瑞·吉列姆,約翰·克里斯,喬安娜·拉姆利,艾迪·伊扎德,亞歷克薩·戴維斯,艾瑞克·愛都,邁克爾·帕林,特瑞·瓊斯,羅伯特·巴瑟斯特,梅拉·沙爾,艾瑪·皮爾森,朱蒂·羅,桑吉夫·巴哈斯卡,布萊恩·考克斯,羅南·薩莫爾斯,加文·斯科特,瑪格麗塔·道爾逆轉(zhuǎn)劫局
烏戈·席爾瓦,埃瑪·蘇亞雷斯,娜塔莉·波薩,巴巴拉·戈納加,丹尼爾·佩雷茲·普拉達(dá),蘇珊娜·阿巴圖納·戈麥斯,坎迪多·烏蘭加,Alexandra Prokhorova,Richard Sahagún,費(fèi)爾南多·阿爾比祖觀光路線
喬什·杜哈明,丹·福勒,米勒克爾·勞麗,Christie Burson,彼得·邁克爾·戈茨驚門
王子子,彭敬慈,陳芋米,佟月,王遠(yuǎn)達(dá)婚禮上我們討厭的人
艾莉森·珍妮,辛希亞·阿戴-羅賓森,克里斯汀·貝爾,本·普拉特,托尼·戈德溫,約翰·麥克米蘭,喬瑪·塔科內(nèi),達(dá)斯汀·米利甘,朱利安·歐文登,卡蘭·索尼,杰克森·戈登伯格,伊薩赫·德·班克爾,魯弗斯·瓊斯,喬尼·韋爾登,里奇·基伯,Lesley Ewen,艾瑪·戴維斯,羅布·豪森,里查·普拉卡什,勞倫斯·拉塞爾,皮埃爾·伯格曼,安德魯·G·奧格爾比,杰寧·哈瑞妮,阿德南·昆迪,Michelle Thomas,斯圖爾特·惠蘭,Davina Moon同類推薦
血戰(zhàn)沙漠
邁克爾·C·威廉姆斯,喬·胡爾特拉斯,杰夫·普雷韋特,瓦內(nèi)莎·約翰遜,Chems-Eddine Zinoune,P. David Miller,Jonas Ball,Matthew R. Anderson,Sam Hunter,Kenny Taylor,Qzaibar Allal,Hammou Abaou,Rkia Chkaroll,Ibtihal Iataren,El Hayrani Lekbir2001年11月，阿富汗加茲尼省。一支來(lái)自美國(guó)的特種部隊(duì)小分隊(duì)與CIA探員本杰明·凱恩斯（喬納斯·鮑爾 Jonas Ball 飾）在此碰頭，他們要在當(dāng)?shù)貙ふ乙粋€(gè)名叫莫罕默德?阿班的男人。在線人阿布爾（Chems-Eddine Zinoune 飾）的引導(dǎo)下，他們來(lái)到據(jù)說(shuō)莫罕默德藏身的山區(qū)。這里流傳著恐怖的傳說(shuō)，在半個(gè)多世紀(jì)前英國(guó)就曾有一支上萬(wàn)人的部隊(duì)在此地憑空消失。從特種隊(duì)員踏入這片陌生領(lǐng)域的那一刻起，恐怖離奇的事件便如影隨形。隊(duì)員們接連失蹤，他們仿佛走入一條通往黑暗世界的不歸之路…… 本片榮獲2008年紐約恐怖電影節(jié)觀眾獎(jiǎng)最佳攝影獎(jiǎng)、2008年墨西哥圣塔菲電影節(jié)Milagro獎(jiǎng)最佳攝影獎(jiǎng)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
寄宿房
桑德琳娜·米歇爾,阿里·伊爾漢姆,Cassandra LeeThe boarding house residents felt something strange in their residence. Rumors circulated that the cheap boarding house asked for a sacrifice in the form of someone's life. One of the apparitions they often saw was a terrifying pocong.
比佛利拜金狗3
奧黛塔·安納布爾,艾米麗·奧斯蒙特,弗蘭西絲·費(fèi)舍繼２００８年院線電影【比佛利拜金狗】（Beverly Hills Chihuahua），以及２０１１年直接發(fā)行影音產(chǎn)品的續(xù)集【比佛利拜金狗２】（Beverly Hills Chihuahua 2）之後，迪士尼於２０１２年的秋季再度推出此系列第三部作品【比佛利拜金狗３】（Beverly Hills Chihuahua 3: Viva La Fiesta!），本片跟第二集同樣是以直接發(fā)行影音產(chǎn)品的方式在美國(guó)首度推出。 在【比佛利拜金狗３】的故事中，比佛利的吉娃娃家庭又有新冒險(xiǎn)了！Papi 和 Chloe 以及他們的五隻小狗狗，跟隨他們的主人 Rachel 和 Sam ，搬進(jìn)了一家大飯店，這裡不但豪華氣派，居然還有專門給狗狗們使用的ＳＰＡ，真是一個(gè)最完美的渡假天堂，天天都像是在開嘉年華會(huì)一樣！不過(guò)，吉娃娃家庭裡最小的成員 Rosa 卻心事重重，原來(lái)她覺得自己身體如此瘦小，一點(diǎn)也不起眼，似乎是家裡面最不重要的成員。如今狗爸爸 Papi 知道了小 Rosa 的心事，他要如何幫助 Rosa 建立自信，並發(fā)現(xiàn)自己的優(yōu)點(diǎn)、發(fā)揮自己的潛力呢？ 本片由 Sara E. White 製片，由 Lev L. Spiro 擔(dān)任執(zhí)導(dǎo)，劇本則是由 Dana Starfield 所負(fù)責(zé)。配音和演出的演員則是第二集同樣的原班人馬，例如配音的包括有 George Lopez 、Odette Yustman …等等；而真人演出的演員則包括有 Erin Cahill 、Marcus Coloma …等等。至於在新加入的角色部分，參與演出的則包括有 Frances Fisher 、Sebastian Roché 、J.P. Manoux …等等。
歸途2025
伊沙恩·哈塔爾,詹維·卡浦爾,莉姆·謝赫,Vishal Jethwa北印度村莊的兩個(gè)好友為尋求尊嚴(yán)而競(jìng)逐警察職位，但在愈發(fā)絕望的追逐中，他們的友誼逐漸崩裂。