劇情縱覽
1,費拿拉小鎮,工程師斯瓦諾(Kim暫無內容Rossi暫無內容Stuart暫無內容飾)邂逅了女教師卡門(Inés暫無內容Sastre暫無內容飾),他們一見鐘情,卡門卻拒絕了斯瓦諾的吻。當他們三年后再次相遇時,斯瓦諾則在肉欲面前止步;
1,費拿拉小鎮,工程師斯瓦諾(Kim暫無內容Rossi暫無內容Stuart暫無內容飾)邂逅了女教師卡門(Inés暫無內容Sastre暫無內容飾),他們一見鐘情,卡門卻拒絕了斯瓦諾的吻。當他們三年后再次相遇時,斯瓦諾則在肉欲面前止步;
梅根斯和艾米性格迥異,卻成為了最好的朋友。一天梅根在網絡聊天室里遇見男孩喬希,兩人一投即合。然而,梅根在去見喬希后神秘消失,艾米于是竭盡全力尋找好朋友。(文/life_is_good@YDY)
在美國小鎮一家超市的付款通道中,一個黑人對一個10歲白人小孩(JacksonRobert Scott飾)微笑,不曾想,這個善意的舉動受到誤解,引發了幫派之間的對抗,并以驚人的結局收尾。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
幾個年輕時懷揣街舞夢想的青年,多年后經歷了人去人走、世故變遷,懷著對朋友的懷念,懷著對未來的憧憬,又重拾了自己年輕時的夢想,用舞蹈詮釋了人生態度……