劇情縱覽
祈母(恬妮)生下連體女嬰~祁寶兒(陳玉蓮)和貝兒。必須施分剖手術(shù),祈母為了救寶兒,只好犧牲貝兒。從此貝兒的鬼魂便纏擾著寶兒,直到寶兒大學(xué)畢業(yè)回港,又屢次害寶兒,更欲奪其男友潘子勤(湯鎮(zhèn)宗)。最后,連體嬰靈貝兒再度復(fù)活,祈父(岳華)被殺,祈母也自殺而死,而一連串令人匪夷所思的事接踵而來。
祈母(恬妮)生下連體女嬰~祁寶兒(陳玉蓮)和貝兒。必須施分剖手術(shù),祈母為了救寶兒,只好犧牲貝兒。從此貝兒的鬼魂便纏擾著寶兒,直到寶兒大學(xué)畢業(yè)回港,又屢次害寶兒,更欲奪其男友潘子勤(湯鎮(zhèn)宗)。最后,連體嬰靈貝兒再度復(fù)活,祈父(岳華)被殺,祈母也自殺而死,而一連串令人匪夷所思的事接踵而來。
這是一部講述公安干警李方中、鐵鶴等舍生忘死與盜墓團(tuán)伙頭目“老祖”斗智斗勇,最終將其擒獲并把所有盜墓團(tuán)伙一網(wǎng)打盡,追回并保護(hù)了國寶、文物的影片。
故事發(fā)生在美國西部大開發(fā)時期,燕西(理查德·迪克斯 Richard Dix 飾)帶著妻子莎布拉(艾琳·鄧恩 Irene Dunne 飾)千里昭昭來到了廣袤而又荒蕪的俄克納馬拉,心里懷揣著遠(yuǎn)大的理想,希望能夠在這里做出一番建樹。俄克納馬拉的生活環(huán)境十分艱苦和險峻,然而,夫妻兩人同心協(xié)力,慢慢改善和建立著他們的家園。在日子漸漸穩(wěn)定的過程中,在當(dāng)?shù)厣畹哪翀鲋鱾兏械剿麄兊睦媸艿搅饲址福麄兂3已辔鞯穆闊瑓s又被燕西用智慧巧妙的化解。燕西十分同情在當(dāng)?shù)厣畹挠〉诎餐林c此同時,嫉惡如仇的燕西亦對壓迫和剝削原住民的資本家們充滿了仇恨,隨著時間的推移,雙方的矛盾漸漸尖銳起來。
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
改編自賽珍珠的普立茲獎小說,是好萊塢在三十年代開始注意東方題材的代表性作品。影片雖是描寫中國農(nóng)村夫婦的悲劇故事,但主角均由美國人扮演,導(dǎo)演悉尼.弗蘭克林也采取西方古典電影的風(fēng)格來處理,在制作上相當(dāng)嚴(yán)謹(jǐn)認(rèn)真。劇情描寫保羅.茂尼與路易絲.萊娜本來是貧困的農(nóng)民,面對饑荒的威脅甚至以烤土充饑。后來茂尼得到了一筆財富,竟整天花天酒地迷戀情婦,萊娜只有發(fā)揮賢妻的耐性期待丈夫浪子回頭。今天看來類似故事已顯得老套,但本片的拍攝與特技表現(xiàn)杰出,路易絲.萊娜亦獲得奧斯卡最佳女主角獎。