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毛骨悚然撞鬼經 2011夏季特別篇
片平渚,蘆田愛菜,南澤奈央,戶次重幸,武井咲,岡本梓,中山優馬,向井理,木村文乃,半海一晃,稻垣吾郎大盜演
李燦森,姜文杰,詹瑞文,秦沛,曾美慧孜,樂瞳,胡慧沖,何華超,楊梓菁,唐貝詩,鄺家瑜,潘伯仲,邱芷微,余曉彤,湯加文,田啟文,吳云甫,林慧倩,鄭詠謙男孩2026
趙炳奎,柳仁秀,崔允珍,徐仁國旁觀者2025
陳坤,王硯輝,劉敏濤,容中爾甲,安澤豪,陳依莎,單禹豪,王勁松,陸玲,王雯那,姜穎函怪猴
西奧·詹姆斯,塔提阿娜·瑪斯拉尼,伊利亞·伍德,勞拉·門內爾,克里斯蒂安·康佛瑞,薩拉·萊維,羅漢·坎貝爾,科林·奧布萊恩,Corin Clark,奧斯古德·珀金斯,Danica Dreyer,Kingston Chan,Dianne Greenwood,齊亞·牛頓偷歡忌日
Winter Bassett,Jordan Laemmlen,Vincent Catalina同類推薦
死亡陰影
Gilles Barret,Margaux Devy,Sylvain Dubois法國青年克里斯(Fabian Wolfrom 飾),在他11歲時某個夜晚,哈雷彗星接近地球。似乎冥冥中有所感應,他的父母在當晚死于非命。此去經年,哈雷彗星再度接近地球,全世界人民寄予極大關注,各種或科學或玄學的猜測層出不窮,熱議紛紛。對克里斯來說這顆星體的造訪似乎沒有什么特別的,但是他卻發現周圍人們的舉止愈加怪異,人們越來越無法控制自己的情緒,各種暴力和暴動此起彼伏,在所謂的末日為降臨前,眾生已經陷入絕望的瘋狂之中。彗星蒞臨當晚,克里斯受邀參加一個狂歡派對。誰知未過多久場面便完全失控,各種嗜血惡徒出籠,展開末日殺戮……
圍困
尤里·索洛明,葉甫蓋尼·列別杰夫,伊琳娜·阿庫洛娃,列夫·佐洛圖欣,弗拉季斯拉夫·斯特爾熱利奇克,亞歷山大·拉辛,鮑里斯·戈爾巴托夫,謝爾蓋·哈欽科,丹尼爾·薩加爾,Vasiliy Minin,Valentin Abramov,Anatoliy Verbitskiy,米哈伊爾·烏里揚諾夫,Roman Gromadsky,Konstantin Malakhov,Stanislav Fesyunov,Yuri Maltsev,Aleksandr Afanasev,Vladimiras Lido,Yuri Ku該片講述了偉大衛國戰爭期間列寧格勒遭受德寇圍困的九百天,列寧格勒軍民克服種種令人難以置信的困難--饑餓,轟炸,疾病,寒冷——保衛了這座“英雄城”并最終打破了德寇的圍困的故事。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
大話神探
陳百祥,錢小豪,曹查理,馮淬帆,許冠英,葉童,鄭君綿,成奎安,胡楓廣告界名模戴李察原為名噪一時之大盜“一棚牙”,后因厭倦江湖,與舊拍檔阿蕊互相協議金盆洗手,而阿蕊亦轉而從良,下嫁刑事偵緝警官吳超人。察有一世侄志偉,欲得盜竊的真傳衣缽,但為所拒,無奈志偉卻不罷休。另一方面,指揮官胡處長安排超人及當紅干探沖鋒車,以一顆幾可亂真之寶石,由沖鋒車以歸僑身份,擺設酒會,實行布下香餌釣金鰲。當沖鋒車公開展示寶石之際,志偉果然心癢難忍,在混亂中,將寶石盜取。沖鋒車奪回寶石...
逆轉劫局
烏戈·席爾瓦,埃瑪·蘇亞雷斯,娜塔莉·波薩,巴巴拉·戈納加,丹尼爾·佩雷茲·普拉達,蘇珊娜·阿巴圖納·戈麥斯,坎迪多·烏蘭加,Alexandra Prokhorova,Richard Sahagún,費爾南多·阿爾比祖焦急的母親菈葵兒(艾瑪蘇雷茲飾演)到銀行借錢,她必須在24小時內籌到35000歐元(約新臺幣130萬元),否則她將再也見不到心愛的女兒。經過不斷懇求,銀行終於同意借款給她救急。不料在貸款手續快要完成之時,兩個蒙面搶匪闖入銀行,不但搶走所有錢,就連在場所有顧客與行員都成為人質。在分秒必爭的險境當中,菈葵兒決定無論付出什麼代價,都一定要拿到這筆錢全身而退…。究竟她該如何保住性命?又該如何籌錢保住女兒呢?