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劇情簡介
瑞典、 瑞士、西德聯合製作,情色片大師約瑟夫 ;W ;薩諾的經典作品。講述十六歲的丹麥少釹Bibi,她畢竟已經長大,年輕漂亮又sexy,OK做想要的事,對xing生活充滿激情。來到德國的阿姨家渡假時,捲入一系列的xing愛情慾之追求、y-樂、享受與冒險....
同類好片
加州套房
簡·方達,阿倫·阿爾達,瑪吉·史密斯,邁克爾·凱恩,沃爾特·馬修人肉炸彈
莉斯爾·阿勒斯,蕾內·斯沃特,肖恩·卡梅倫·邁克爾靶場
凱莉·康奈爾,史蒂芬妮·皮爾森,羅德·埃爾南德斯,安東尼·科洛,阿萊克薩·伊姆斯,杰森·托比亞斯,Aion Boyd,Eric Matuschek,Ikumi Yoshimatsu,Hana Burson,Chris Powell,Graham Skipper,Nick Burson,Emory Lawrence我的學姐是青蛇
祝你好運2024
亞歷山德拉·達達里奧,柯瑞·福格爾瑪尼斯,邁爾斯·古鐵雷斯-賴利,科爾·斯普羅斯,莉娜·鄧納姆,艾米·蘭德克,萊克西·安德伍德,麗莎·山田,賈德森·米爾斯,布萊恩·邁克爾·史密斯科學怪人的怪獸 山達對蓋拉
ラス?タンブリン,睦五郎,佐原健二,水野久美人氣佳作
風車小騎士
Facundo Reyes,Marina Blanke,Julian JanssenX--未知的元素
Dean Jagger,Edward Chapman,Leo McKern,Anthony Newley兩個世界一個愿望
漢黛·埃塞爾,梅廷·阿克杜爾格,哈塞·阿維尼·丹亞爾,Ipek Erdem,迪德姆·英瑟勒,塞爾坎·廷馬茲,Idil Firat,拉米·納林,Ilayda Orkut,Eylül Su Sapan,梅爾特·埃格·阿克,Ihsan Ilhan,Deniz Duygu K?se,Nazlican Demir,Erdal Bilingen圣山1973
亞歷桑德羅·佐杜洛夫斯基,霍拉西奧·薩利納斯,Zamira Saunders,胡安·費拉拉,阿德里安娜·佩奇 ,Burt Kleiner,Valerie Jodorowsky,Nicky Nichols,理查德·魯托夫斯基,Luis Lomelí,Ana De Sade,Chucho-Chucho,Letícia Robles,Connie De La Mora,David Kapralik,Jacqueline Voltaire,José Antonio Alcaraz,赫克托?奧爾特加,阿麗爾·朵巴絲導演精選
羞恥惡魔
Jack escapes jail and head to New York city to track down an old flame who has disappeared under mysterious circumstances.
廢柴同盟
電視臺的監制阿南(曾志偉 飾)一直郁郁不得志,雖然才華橫溢,但是由于不善交際,做的都是一些冷門時段的節目。這日,他在一個公眾場合偶遇了過氣歌手阿Ken(吳鎮宇 飾),發現阿Ken想方設法都想上臺獻唱。看著阿Ken的古怪舉動,阿南突然有了一個想法,發現了一條可以幫助二人成功的道路。阿南向阿Ken提出成為他的獨家代理人,并幫他重新包裝,保證他一定能咸魚翻身。原來,阿南的計劃就是讓Kenny裝瘋賣傻,全力吸引傳媒的視線,為了能再次踏上舞臺,阿Ken答應了?! 」蝗绨⒛纤希琄enny的瘋癲行為引來了大批傳媒,他也迅速走紅。此時,電視臺為了能讓Kenny來上節目,只好滿足阿南的要求,將他調到熱門時段的節目讓他大展拳腳。正當這對伙伴的事業一帆風順時,一個艱難的抉擇卻擺在了阿南面前。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.