熱辣性話題
簡是韓裔。雖然她準備在韓國按摩家連鎖店的她住在她父親的朋友家幾個月。然而,而不對她按摩店工作,她做的一切只賣互聯網廣播電臺上的性玩具。她的男友 Tae 在不喜歡她做什么,并試圖讓她停止。一天,她在美國的母親簡發現是生病,而她是回到家里,Tae 在獲取到一場車禍。簡用來測試 Tae 在她性玩具,所以盡管他有病她銷shou量下降。所以她發現其他男人要考她的玩具......
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劇情簡介
簡是韓裔。雖然她準備在韓國按摩家連鎖店的她住在她父親的朋友家幾個月。然而,而不對她按摩店工作,她做的一切只賣互聯網廣播電臺上的性玩具。她的男友 Tae 在不喜歡她做什么,并試圖讓她停止。一天,她在美國的母親簡發現是生病,而她是回到家里,Tae 在獲取到一場車禍。簡用來測試 Tae 在她性玩具,所以盡管他有病她銷shou量下降。所以她發現其他男人要考她的玩具......
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血屋之謎
莎菲拉是一名冉冉升起的新秀主持人,她有機會主持《Percaya Ngga Percaya》的重拍版。在研究舊錄像時,她發現了一盤未播出的錄像帶,上面寫著“Rumah Darah”,這導致令人不安的超自然事件威脅到她的生命。在調查 Rumah Darah 背后的秘密時,她發現了過去的黑暗秘密,這些秘密使她的靈魂處于危險之中。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
我的的士爸爸
影片主要講述了一名出租車司機搭載了一名沉默寡言、行為異常的小女孩,偶然的一次搭載讓出租車司機和陌生的小女孩卷入了一連串充滿疑云的事件中,引發觀眾對人性、信任與危機的深度思考。