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太空運輸
馬丁·拉波德,Michael Finger,Claude-Oliver Rudolph23世紀中葉，地球已進入全面崩潰的階段，戰爭和傳染病讓這顆原本美麗的藍色星球破爛不堪，人類被迫離開賴以生存的家園，遠赴外太空尋找新的棲息地。憑借TSA先進的技術，木衛五成為充滿希望的新興樂土。在此之后，大批地球人乘坐飛船前往木衛五，地球逐漸被人遺忘。 然而就在此時，不斷有人起來反抗，聲稱要推翻TSA利用機器對人類的麻醉和統治，并據此不斷向空間站發起恐怖襲擊。美麗的勞拉·波特曼博士（Anna-Katharina Schwabroh 飾）隨一艘貨船前去空間站看望親人。在長達4個月的旅途中，大部分人需進入睡眠狀態。勞拉擔任了值班的任務，然而在這靜寂的飛船里，似乎有其他人在暗中窺視著她。一樁樁陰謀漸漸浮出水面……
王牌保鏢2
瑞安·雷諾茲,塞繆爾·杰克遜,薩爾瑪·海耶克,弗蘭克·格里羅,理查德·E·格蘭特,安東尼奧·班德拉斯,摩根·弗里曼,斯圖爾特·亞歷山大,早乙女津和雪,麗貝卡·弗朗特,諾杰·赫拉爾,邁克爾·戈爾,喬治·格倫,巴里·阿茨瑪,蒂內·朱斯特拉,加里·奧德曼,瑪麗安娜·維基爾斯卡,布萊恩·卡斯佩,丹柯·約爾丹諾夫,西蒙·安德魯,塞爾吉奧·托里科,布萊克·瑞特森,湯姆·霍珀,加布里埃拉·賴特,卡羅琳·古多爾,愛麗絲·麥克米蘭,伊萬·朱里奇,米爾托斯·耶羅勒曼,帕特里克·休斯,德拉甘·米恰諾維奇,托米·梅,喬納斯·塔金這對世上最要命的混搭-——保鏢邁克爾·布萊斯和殺手大流士·金凱，再次執行一項要命任務。 大流士反復無常更勝以往的妻子——臭名昭著的國際詐騙家索尼婭·金凱迫使布萊斯出山。 布萊斯被這倆最危險的保護對象逼得走投無路，三人在一個全球級的陰謀中陷入困境，很快還發現他們是一個大瘋子復仇歐洲的唯一障礙。 摩根·弗里曼也加入了這場有趣而又致命的亂局，他飾演的是——嗯，不得不看。
室友2026
莎蒂·桑德勒,克洛伊·伊斯特,比利·布萊克,莎拉·謝爾曼,艾丹·朗福德,貝拉·墨菲,賈雅·哈珀,斯托姆·瑞德,艾薇·沃爾克,娜塔莎·雷昂,尼克·克羅爾,馬丁·赫利希,亞當·桑德勒,Annalise Mishler,亞歷山德拉·西爾,Seth Fuentes,亞歷山大·詹姆森,索菲婭·岡薩雷斯,Rebecca Lynn Goldfarb,苔絲·奧貝爾,Jonathan Auguste,艾比·萬·李,本·海涅曼,邦妮·羅斯一個目光明亮的新生決定和一個受歡迎的學生住在一起，這導致了一段令人興奮的新友誼，但逐漸演變成一場微妙的意志之戰。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
十二個想死的孩子
杉咲花,新田真劍佑,北村匠海,高杉真宙,黑島結菜,橋本環奈,吉川愛,萩原利久,渕野右登,坂東龍汰,古川琴音,竹內愛紗當活著比死更需勇氣，十二個少年來到荒廢醫院，進行本以為是12 比0 的投票，通過後便可集體自殺，卻發現房間多了一具屍體，必須找出兇手和企圖破壞契約的潛入者。劇情以新本格派推理展開，同時進行「十二怒漢」式針鋒相對。原來再厭世，內心極渴望別人聆聽自己故事。每一個都可疑，每一個都隨時被說服，結局示範最令人心悅誠服的反轉。《20 世紀少年》（2008-09）、《愛的成人式》（2015）導演堤幸彥巧妙觸碰少年自殺的禁忌，像補完計劃般置諸死地，在絕望深淵，一次擁抱可拯救一個靈魂。
罪生咒
與丈夫離婚后，Alice必須承擔起單親母親的全部責任，照顧她全心全意愛著的兒子August，一個好奇的小男孩。他從小就對A、他的父親和他自己的故事充滿疑問。就連他的母親也從未談起過他的父親，August15歲那年，神秘的故事開始一點一點地跟隨他。他父親生前的囑托成為August從諾拉舞的秘密中發現恐怖的原因。在試圖讓他認識到自己的業力同時，Alice相信理性和正義。Alice竭盡全力拯救她所愛的兒子。但她越是反抗并帶領August遠離現實，詭異和奇怪的事件不斷升級，直到August陷入危險。決定返回尋找過去的真相。August生命危在旦夕，當Lambam家的門打開時，里面的木樁從過去一直建到了現在，與她一起打開的是Lambam家的老管理員Cherd叔叔，他知道整個故事。業力和所欠的誓言已經開始要求償還
暴雨屋
Grant Masters,Patrick Flynn,Grahame Fox2002年，伊拉克戰爭爆發前11個月，美軍駐伊拉克某軍事基地發生奇怪事件，一個監控攝像機錄下了詭異影像，更有試圖查清此事的相關責任人員或者喪命或者瘋狂。軍方甚感事關重大，遂請來在這方面具有豐富研究經驗的“鬼語者”海莉·桑茲前來調查被他們用特殊手段囚禁起來的“鬼魂”。隨著溝通的深入，各種各樣奇怪的是接連發生，身邊或嚴肅或魯莽的軍人們著呈現出怪異的舉止。這一切的背后似乎隱藏著巨大的秘密，“鬼魂”的真面目也漸漸地揭開神秘面紗…… 本片根據真實事件改編。