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致命圍困
米莎·巴頓,黛博拉·卡拉·安格,卡梅隆·布萊特審判者1
尹子維,李燦森,郭常輝,方川,陳禹銘,李夏佩,彭波,周超峰,孫鳴蔚,趙旭,陳青曄,劉靜怡,李歡阿里
安德拉尼克·馬奈,帕斯卡爾·雷內(nèi)里克,Théo Delezenne,Ryad Ferrad,伊娃·拉利耶,Lomane de Dietrich,Mikael Don Giancarli,克萊芒絲·庫隆,Fabio Caron,Audrey Bonnet,克萊爾·博德森,蘇菲?卡達尼,Alphonso Scavo,Immanuelle Shékina,Isaure Bony Agoua,Melvil de Waegenaire,Tom Menanteau,Alexandre Auvergne,Serena414區(qū)
蓋·皮爾斯,崔維斯·費米爾,約翰內(nèi)斯·豪克爾·約翰內(nèi)森,科林·薩蒙,奈德·丹內(nèi)利,瑪?shù)贍栠_·魯茨,喬納森·阿里斯,安東尼婭·坎貝爾-休斯,歐文·弗熱瑞,瑪吉·克羅寧,Jorin Cooke,Holly Demaine林中女孩
Selah Rose,Doug Wilder,Maggie Wilder大亂斗之少年覺醒
趙奕欽,葉子淇,趙蘊卓,陳昊明,趙浩杰同類推薦
初始者
什恩·卡魯斯,大衛(wèi)·蘇利文,卡西·古登,Anand Upadhyaya,Carrie Crawford,Jay Butler,John Carruth,Juan Tapia,Ashley Warren,Samantha Thomson,Chip Carruth,Delaney Price,Jack Pyland,Keith Bradshaw,Ashok Upadhyaya,Brandon Blagg,Jon Cook,David Joyner,Eric De Soualhat獲得第24屆圣丹斯電影節(jié)劇情片類評委會大獎的《雷管》,講述的是四位合作者出于興趣發(fā)明了一臺查錯儀器,卻意外地發(fā)現(xiàn)這臺儀器擁有強大的商業(yè)價值,最終四人相互爭斗的局面。《雷管》是導演什恩-卡魯斯(ShaneCaruth)首次執(zhí)導的劇情長片,該片由他自己投資,并身兼編劇、導演、主演數(shù)職,體現(xiàn)出獨立電影的“DIY”精神。另外,令人津津樂道的是該片不足7000美元的超低制作成本,只相當于一輛富康車的價錢……
致命玩笑3
克麗斯滕·齊恩,本·霍靈斯沃斯,迪恩·阿姆斯特朗,肯·科齊格 Ken Kirzinger,Jesse Hutch,薩拉米切燥熱枯燥的長途旅行,怪物卡車司機“銹釘”(肯·科齊格 Ken Kirzinger 飾)的血腥旅程仍未結(jié)束,17號公路上布滿殘肢斷體,娛樂著他的邪惡趣味。某個平凡的路邊小餐館,奧斯汀(Gianpaolo Venuta 飾)、米克(Ben Hollingsworth 飾)、愛麗莎(Leela Savasta 飾)、鮑比(Jake Manley 飾)和茱爾(Kirsten Prout 飾)等五個準備參加公路汽車拉力賽的青年男女正在討論行車路線,他們向鄰桌打聽17號公路存在與否,卻得知了“屠殺小巷”的傳言和警告。 無所畏懼的年輕人當然不信這個邪,他們快意上路,并遭遇“銹釘”的卡車。年輕人仗著汽車性能的優(yōu)勢,恣意戲耍“銹釘”,但卻惹到了一個絕不能隨便招惹的惡魔……
攔截火狐貍
Robert Sampson,Will Bledsoe,喬·托克爾It is the year 2022. A mysterious systems failure causes the crew of a spaceship to be stranded on the dark side of the moon, while rapidly running out of fuel and oxygen. They are surprised to discover a NASA space shuttle floating in space, and board it in the hope of salvaging some supplies....
洛奇
西爾維斯特·史泰龍,塔莉婭·夏爾,伯特·楊,卡爾·韋瑟斯,布吉斯·梅迪斯洛基?巴爾博厄(西爾維斯特?史泰龍 Sylvester Stallone 飾)是費城的過氣拳擊手。他空有拳擊熱忱,卻只混雜于三流拳擊賽中。一天,他對售貨員艾黛麗安(塔里亞?希雷Talia Shire 飾)一見傾心,雖然這個姑娘長相一般,性格內(nèi)向,卻毫不阻礙洛奇對她愛得熾熱。愛情得意,事業(yè)也開始一路暢通。為了慶祝美國建國200周年,當?shù)嘏e辦了一個拳擊比賽,勝出者將獲得15萬美元的高額獎金。美國一個拳擊巨星在比賽中受了傷,主辦方選中了洛奇去上演一場“灰姑娘”式的比賽,大敵當前的同時,也是洛奇事業(yè)轉(zhuǎn)機、大顯身手的良機。洛奇在賽場上苦撐15回合,在面腫血流之際,會不會有奇跡的發(fā)生?
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.