劇情縱覽
When a terror female boss was blackmailed by her assistant, she has no choice but to obey and play with her.
When a terror female boss was blackmailed by her assistant, she has no choice but to obey and play with her.
World War II is around the corner, but the only thing Sally Bauer can think of is the ocean. Her dream is to swim across the English Channel. Her father has tried to exorcise her obsession with swimming since she was a toddler, without success. An unwanted pregnancy forces her to abandon her dream – and herself. The child’s father does not want to be involved, so as a woman in the ‘30s in Sweden, Sally has no choice but to do what is expected of her: to be a mother. There is no place left for her dreams and Sally is pulled into bottomless darkness, until her sister Carla saves her. With renewed purpose, together the sisters begin to dismantle the conventions they are constantly facing. In late August 1939, Sally stands on the shore at Dover and takes her first step into the English Channel. She swims across the open and icy sea for 15 hours, waving to the Navy who are readying for war. A couple of days after Sally swims ashore at Calais, Poland is invaded.
波比(艾米麗·巴德 Emily Bader 飾)自由奔放,亞歷克斯(湯姆·布萊斯 Tom Blyth 飾)循規(guī)蹈矩,這對(duì)好友看似格格不入,前后相識(shí)已有十年之久。盡管分隔兩地,每年暑假仍會(huì)一起度過(guò)。旁人都看得出來(lái)他們的友情不一般,而當(dāng)兩人終于開始思索彼此或許更適合成為情人時(shí),愛情與友情之間那條微妙的界線也逐漸受到考驗(yàn)。他們真有可能是天作之合嗎? 影片根據(jù)艾米莉·亨利的同名暢銷書改編。
該片是押井守參與制作的一部動(dòng)畫電影。獲2002年斯圖加特國(guó)際動(dòng)畫電影節(jié)最佳長(zhǎng)篇獎(jiǎng),獲2001年日本文化廳文化廳MEDIA藝術(shù)祭動(dòng)畫大賞。1966年秋天,越南戰(zhàn)爭(zhēng)期間,在日本國(guó)內(nèi)的美國(guó)空軍橫田基地內(nèi),不時(shí)可見F4幻影戰(zhàn)斗機(jī)頻繁起降,空氣中充斥著一股殺戮的氣氛;就在此時(shí),基地附近的市區(qū)連續(xù)發(fā)生了離奇的命案。 地下鐵,銀座線,正駛著通往淺草的最后一班列車,一名少女出現(xiàn)在空蕩的車廂內(nèi),她擁有令大人感到刺眼的眼神,緊閉著雙存欲訴說(shuō)她內(nèi)心的真正意念,她的名字叫小夜(SAYA);她是“組織”為了打倒?jié)摲谌祟惿鐣?huì)里的吸血鬼“翼手”,因而派遣至人類社會(huì)的救世主。 穿著水手服的小夜,手持日本武士刀作為武器,潛入了基地內(nèi)的美國(guó)學(xué)校。一柄冷血無(wú)情的武士刀,是她消除邪魔、保護(hù)人類的武器。而她身體里這一半的人性,可能就是她打敗敵人的秘訣……
Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth. With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50. Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned. Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.