愛的領悟
在美國出生長大的昌杜是一個認為愛就是傷痛的花花公子，在前女友的陷害之下不得不支付巨額賠款，為了湊錢昌杜第一次回到了印度并在機場結識了桑蒂雅。為了從爺爺手里拿到錢，昌杜謊稱自己將回到印度工作并說自己已經結婚，演戲欺騙桑蒂雅幫助自己扮演夫妻，在家庭生活之中昌杜感受到了愛與溫暖。
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劇情簡介
在美國出生長大的昌杜是一個認為愛就是傷痛的花花公子，在前女友的陷害之下不得不支付巨額賠款，為了湊錢昌杜第一次回到了印度并在機場結識了桑蒂雅。為了從爺爺手里拿到錢，昌杜謊稱自己將回到印度工作并說自己已經結婚，演戲欺騙桑蒂雅幫助自己扮演夫妻，在家庭生活之中昌杜感受到了愛與溫暖。
同類好片
導演精選
獵殺星期一
故事設定在近未來，由于人口過剩和饑荒，政府不得不實行“獨生子女”政策。正因為這個嚴格的計劃生育議程，姐妹們必須輪流使用一個人的身份Karen Settman(拉佩斯飾)。她們的祖父(達福飾)給其命名為周一、周二、周三、周四、周五、周六和周日。每個人都可以每周外出一次。姐妹們只有在自己的公寓里才可以自在生活。直到有一天，“星期一”沒回家......
瘋狂的酒局
電影講述張曉軍夫婦發現倒賣醬丞相期貨酒可以賺錢，于是開始一系列的買賣操作，可實際上他們中了對方的詐騙圈套，為了要回被騙的錢財，夫婦倆斗智斗勇成功抓捕騙子。本片是一部反詐騙題材的喜劇電影。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.