十一天十一夜2
Gloria暫無內(nèi)容works暫無內(nèi)容as暫無內(nèi)容a暫無內(nèi)容top暫無內(nèi)容nude暫無內(nèi)容model暫無內(nèi)容and暫無內(nèi)容prostitute,暫無內(nèi)容but暫無內(nèi)容she暫無內(nèi)容has暫無內(nèi)容a暫無內(nèi)容secret.暫無內(nèi)容In暫無內(nèi)容reality暫無內(nèi)容she暫無內(nèi)容is暫無內(nèi)容writer暫無內(nèi)容and暫無內(nèi)容social暫無內(nèi)容critic暫無內(nèi)容Sarah暫無內(nèi)容Asproon暫無內(nèi)容researching暫無內(nèi)容her暫無內(nèi)容new暫無內(nèi)容book.暫無內(nèi)容Peter暫無內(nèi)容finds暫無內(nèi)容out暫無內(nèi)容and暫無內(nèi)容blackmails暫無內(nèi)容her暫無內(nèi)容by暫無內(nèi)容demanding暫無內(nèi)容sex暫無內(nèi)容for暫無內(nèi)容his暫無內(nèi)容silence.暫無內(nèi)容Meanwhile暫無內(nèi)容Sarah暫無內(nèi)容develops暫無內(nèi)容feelings暫無內(nèi)容for暫無內(nèi)容computer暫無內(nèi)容whiz暫無內(nèi)容Cliff,暫無內(nèi)容who暫無內(nèi)容struggles暫無內(nèi)容to暫無內(nèi)容resolve暫無內(nèi)容his暫無內(nèi)容own暫無內(nèi)容sexual暫無內(nèi)容orientation.
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葉甫蓋尼·奧涅金
弗拉季米爾·弗多維琴科夫,阿廖娜·克梅爾尼茨卡亞,Liza Moryak,維克多·杜布朗拉沃夫,塔基楊娜·柳達(dá)耶娃三傻大鬧寶萊塢
阿米爾·汗,卡琳娜·卡普爾,馬達(dá)范,沙爾曼·喬希,奧米·瓦依達(dá),博曼·伊拉尼,莫娜·辛格,拉杰夫·拉賓德拉納特安惡魔們
張東潤,吳代煥,崔奎華,張?jiān)钻?孫鐘學(xué),申承煥,尹炳熙奧本海默
基里安·墨菲,艾米莉·布朗特,馬特·達(dá)蒙,小羅伯特·唐尼,弗洛倫絲·皮尤,阿爾登·埃倫瑞奇,大衛(wèi)·克朗姆霍茨,喬什·哈奈特,杰森·克拉克,卡西·阿弗萊克,戴恩·德哈恩,本·薩弗迪,大衛(wèi)·達(dá)斯馬齊連,拉米·馬雷克,湯姆·康蒂,肯尼思·布拉納,加里·奧德曼,詹姆斯·達(dá)西,梅肯·布萊爾,杰克·奎德,迪倫·阿諾德,艾瑪·杜蒙特,杰佛遜·豪爾,喬什·祖克曼,馬修·莫迪恩,馬提亞斯·施維赫夫,亞歷克斯·沃爾夫,托尼·戈德溫,庫爾特·克勒,約翰·高恩,蒂姆·迪凱,泰德·金,古斯塔·斯卡斯加德,邁克爾·安格拉諾,丹尼·德零食小屋
加布·拉貝爾,David Costabile,米卡·阿卜杜拉對(duì)不起，我們錯(cuò)過了你
克里斯·希欽,黛比·哈尼伍德,瑞斯·斯通,凱蒂·普洛克特,查理·里士滿,史蒂芬·克雷格,哈瑞特·構(gòu)斯特,米奇·麥格雷戈,羅斯·布魯斯特,朱利安·艾恩,希拉·鄧克利,馬克西·彼得斯,克里斯托弗·約翰·斯萊特,希瑟·伍德,阿爾伯特·鄧巴,納塔利婭·斯通班克斯,喬丹·科拉德,戴夫·特納同類推薦
心靈與智慧
德懷特·戴維·艾森豪威爾,William Marshall,喬治·皮杜爾本片是由哥倫比亞電影公司出資委任電視紀(jì)錄片導(dǎo)演皮特?戴維斯（Peter Davis）拍攝的一部探討美國為何在1959-1975年期間發(fā)動(dòng)對(duì)越戰(zhàn)爭，越南人民的悲慘遭遇，以及美國人民對(duì)越戰(zhàn)態(tài)度轉(zhuǎn)變的紀(jì)錄片。這是美國本土首次放映直接采訪刻畫越南平民慘境的影片，片中多次表現(xiàn)了美軍將領(lǐng)的種族主義和美國政府對(duì)國內(nèi)人民的無恥欺騙。電影于1974年在法國嘎納電影節(jié)首映，隨即便因內(nèi)容的嚴(yán)重爭議性被哥倫比亞公司擱置。制片人波特?施耐德（Bert Schneider）與亨利?蘭格（Henry Lange）向哥倫比亞公司買回了版權(quán)，并終于1975年通過華納公司在美國公映。本片獲1974年奧斯卡最佳紀(jì)錄片獎(jiǎng)，并被提名同年金球獎(jiǎng)最佳紀(jì)錄片。
時(shí)速72
弗蘭克·斯帕諾,喬治·阿克拉姆百萬富翁Diego Verastegui（Gustavo Alatriste 飾）在他自己的家里被殺害，保險(xiǎn)箱里寶貴的公文包也被取出來了，當(dāng)Diego Verastegui的保鏢回到家時(shí)，他發(fā)現(xiàn)了三名犯罪嫌疑人：Carlos Verastegui（George Akram 飾），百萬富翁的兒子；Anna Karina（Guillermo Londo?o 飾），一個(gè)可愛的女孩；安德烈斯，一個(gè)放蕩不羈的魔術(shù)師。三人各執(zhí)一詞，究竟他們誰才是殺害Diego Verastegui的兇手？
我的生命之光
卡西·阿弗萊克,伊麗莎白·莫斯,安娜·尼奧斯基,湯姆·鮑爾,蒂莫西·韋伯,蒙克·塞雷爾·弗里德,赫羅斯加·馬修斯影片故事講述一名父親傾盡所有去保護(hù)自己的女兒。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
奪魂醫(yī)生
Andrew Prine,Jason London,Carlos Lauchu在一個(gè)肅殺的夜晚，滿身傷痕的女孩西恩娜（艾麗森·蘭格 Allison Lange 飾）跌跌撞撞沖入公路。她隨即被送往醫(yī)院，在探員贊恩（詹森·倫敦 Jason London 飾）的詢問下，驚魂未定的西恩娜終于說出了那段恐怖經(jīng)歷。 兩周前，她和同在醫(yī)科大學(xué)念書的好友斯科特（B.J. Britt 飾）、杰森（尼克·霍爾莫斯 Nick Holmes 飾）、本（C.J. Thomason 飾）、夏儂等人結(jié)伴外出游玩。他們駐留在一所古堡，看似一切充滿了刺激和樂趣，但是這份無上喜悅很快便蒙上一層陰影。在他們身后，似乎有一個(gè)手執(zhí)手術(shù)刀的奪命醫(yī)生蠢蠢欲動(dòng)，死神的腳步越來越近。這群躊躇滿志的未來醫(yī)生，儼然成為了手術(shù)臺(tái)上的致命犧牲品……