炫舞世家晴晴

無(wú)論如何我愛(ài)你

 這部精美的動(dòng)畫(huà)短片由編劇/導(dǎo)演威爾·麥柯馬克和邁克爾·戈維爾聯(lián)手打造。在悲劇發(fā)生后，一對(duì)父母失去了孩子，傷心欲絕的他們要面對(duì)隨之而來(lái)的失落感。

男孩、鼴鼠、狐貍和馬

湯姆·霍蘭德?tīng)?伊德瑞斯·艾爾巴,加布里埃爾·伯恩,裘德·科沃德·尼科爾

 查理·麥克西的同名繪本改編的手繪動(dòng)畫(huà)，關(guān)于善良、友誼、勇氣和希望，通過(guò)一段辛酸而真摯的旅程，講述了一個(gè)男孩、一只鼴鼠、一只狐貍和一匹馬，四個(gè)孤獨(dú)的靈魂在尋找家的過(guò)程中結(jié)伴而行，并在彼此身上找到了自己存在的意義。

我的青春我的夢(mèng)

張淑琬

大學(xué)生青春勵(lì)志，追求自己的夢(mèng)想！三個(gè)青年人回歸大學(xué)的生活學(xué)習(xí)中，繼續(xù)努力，不斷充實(shí)自己，讓自己有機(jī)會(huì)，有能力站在更高的平臺(tái)上，在各自的人生舞臺(tái)上閃閃發(fā)光。她們?nèi)匀粺釔?ài)電影、拍攝電影，但更愛(ài)踏實(shí)勤奮的自己。

寄宿房

桑德琳娜·米歇爾,阿里·伊爾漢姆,Cassandra Lee

　　The boarding house residents felt something strange in their residence. Rumors circulated that the cheap boarding house asked for a sacrifice in the form of someone's life. One of the apparitions they often saw was a terrifying pocong.

我當(dāng)你兄弟

文斯·沃恩,詹姆斯·麥斯登,艾莎·岡薩雷斯,凱斯·大衛(wèi),斯蒂芬·魯特,吉米·塔特羅,埃米麗·漢普希爾,劉易斯·陳,本·施瓦茨,阿圖羅·卡斯特羅,迪倫·普萊費(fèi)爾,大衛(wèi)·湯姆林森,保羅·程,凱特琳·貝肯,Sara Angelica,Mackenzee Cullen,Scott Cloney,德里克·詹姆斯·特拉普

兩個(gè)黑幫大佬和他心愛(ài)的女人，度過(guò)人生中最玩命的一夜求生戰(zhàn)。一部“時(shí)光機(jī)”的出現(xiàn)，令這一夜瞬間變成時(shí)空錯(cuò)亂的鬧劇……

金發(fā)

巖田剛典,白鳥(niǎo)玉季,門(mén)脅麥,山田真步,田村健太郎,內(nèi)田慈

本作の主人公は、大人になりきれない30歳の公立中學(xué)校教師?市川。彼が擔(dān)任を受け持つクラスの生徒數(shù)十人が校則への抗議として髪を金色に染めて登校し、學(xué)校中が大騒ぎになるさまが描かれる。

我能有個(gè)見(jiàn)證人嗎

Keira Jang,吳珊卓,里斯·普雷斯利,Elmira Bashash,喬爾·歐萊特,Zaa Nkweta,Shaz Far,Casey Kenneth Wright,森田友希,本杰明·拉特納,派崔克·蓋勒,Naika Toussaint,安德烈·安東尼,多米尼克·盧基·馬泰爾,奧斯卡·查克,裘德·威爾遜,Cassandra Sawtell,特德拉·羅杰斯,Ally Battaggia,Kymo Van Oers

　　Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth.　　With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50.　　Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned.　　Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.