春風(fēng)

評(píng)分:3.5 播放:38萬 更新:2026-04-25
主演: 朱一龍 倪妮 

2023年VOGUEfilm展映短片。朱一龍飾演的調(diào)酒師“程磊”與倪妮飾演的“子悠” 不期而遇。子悠憑借著記憶中的味道回到老地方,卻發(fā)現(xiàn)一切都已物是人非,當(dāng)年的老面館如今成為調(diào)酒師程磊所經(jīng)營(yíng)的酒吧。在短片里,無論是昔日的老面館,還是今朝的小酒館,同一片空間在時(shí)間的奔流中承載著不同的記憶,跨越著新舊的交替,留下不同的回憶和感受,將人們的情感緊密相連、締結(jié)在一起。

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狂龍伏妖

陳浩民,喬牧,肖明玉

  赤屠龍師兄三人得知祖師爺被將要化成蛟龍的蛟妖所傷,于是自告奮勇去降妖。師兄來到升平鎮(zhèn),遇到何府搶嬰,得知從骷髏精追回嬰兒的妖人可兒,是年輕時(shí)與“梅花鹿精”素素之女。可兒告知母親被蛟妖控制在陰風(fēng)洞。升平鎮(zhèn)內(nèi)也是怪事連連,許家兒女行為異常,無憂和常樂布下天羅地網(wǎng)捉拿蝙蝠精;另一邊荒郊大宅赤屠龍救下少爺榮華。蛟妖獲悉得知強(qiáng)敵當(dāng)前,雙方展開激斗,因蛟妖法力強(qiáng)大,赤屠龍身受重傷;他取出祖師爺所贈(zèng)的錦囊,悟出真諦,入蛟妖體內(nèi)將其殲滅。素素吐出修練的仙珠救下奄奄一息的赤屠龍,重返深山望有朝一日能得道成仙。

與神對(duì)談

大衛(wèi)·斯特雷澤恩,布倫頓·思韋茨,耶爾·格洛格拉斯,Charlbi Dean Kriek,希爾·哈勃,博比·迪奇科,Meagan Kimberly Smith

  雖然是三次面談之旅,但我覺得三次否認(rèn)叫Peter更合適;08,20-08,22FathomEvents,電影大概只有90分鐘,后附30分鐘interview分享一些信仰心得,恍然間有點(diǎn)以為看到了TheSunsetLimited(2011)的感覺,電影不合情理得把神實(shí)化(降臨),但又很合乎情理的在分享Paul的見證,所以最后interview有個(gè)問題是為何上帝沒有啟示我,這個(gè)問題答案就是:先求他的國(guó)和他的義,然后你才能見證他的神跡。

公寓2024

斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,Manika

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

坐穩(wěn)車,泰欣娜

卡蒂·奧廷寧,Kirsi Tykkyl?inen,馬蒂·佩龍帕

  這是一部寓言般,反浪漫的公路電影,男青年瓦爾特是個(gè)裁縫,每天幫著母親縫制衣服,可是他向往外面的世界,于是他乘著母親不備將母親鎖進(jìn)屋子并偷了母親的錢物找了一個(gè)哥們駕車兜風(fēng),在路上遇見了來旅游的泰欣娜和其女友,他們四人結(jié)伴而行,沉默寡言的兩個(gè)男人和隨心所欲的兩個(gè)女人產(chǎn)生許多 戲劇沖突,他們一起住店,一起聽搖滾音樂會(huì),折騰許久以后,瓦爾特決定回家,回家后他若無其事地坐回縫紉機(jī)邊繼續(xù)他的裁縫生涯,仿佛一切未曾發(fā)生過。