浪蝶狂花

? 3.0 播放：98萬 2026-04-22

安娜為了她的男朋友史提芬，不惜犧牲當上舞女，并把賺來的金錢都給予史提芬去做生意，希望有一天能過正常的生活，但原來史提芬是一名愛情騙子，他不單騙去安娜的金錢和愛情，最后更將她賣給娼妓集團當妓女。暫無內容安娜憤怒之余，竟拿刀刺進史提芬的胸膛。

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? 播放 浪蝶狂花

劇情提要

安娜為了她的男朋友史提芬，不惜犧牲當上舞女，并把賺來的金錢都給予史提芬去做生意，希望有一天能過正常的生活，但原來史提芬是一名愛情騙子，他不單騙去安娜的金錢和愛情，最后更將她賣給娼妓集團當妓女。暫無內容安娜憤怒之余，竟拿刀刺進史提芬的胸膛。

幕后花絮

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

天使航班電影版

本片劇情依然圍繞遺體送還公司“天使之心”展開。社長伊澤那美得知8年前身亡的戀人或許仍在世而心神動搖。萬圣節期間，公司成員奔赴世界各地處理送還事務：有人面對因嬰兒猝死而自責的母親，有人護送突然離世的明星回國，也有人送別在旅途中去世的青年。那美在墨西哥執行任務時，一邊處理逝者身后事，一邊被舊日戀情的線索牽動，在生死與思念交織中重新審視自己的內心。