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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
無(wú)依之地
弗蘭西斯·麥克多蒙德,大衛(wèi)·斯特雷澤恩,德里克·賈尼斯,泰·斯特雷澤恩,卡特·克利福德,彼得·斯皮爾斯,蓋伊·德福雷斯特,帕特里夏·格里爾,琳達(dá)·梅,安吉拉·雷耶斯,卡爾·R·休斯,道格拉斯·G·蘇爾,瑞安·阿基諾,特蕾莎·布坎南,凱莉·林恩·麥克德莫特·懷爾德,布蘭迪·威爾伯,馬克西·埃切維里,鮑勃·威爾斯,安妮特·威爾斯,瑞秋·班農(nóng),夏琳·斯旺基2008年金融危機(jī)下，美國(guó)內(nèi)華達(dá)州昂皮爾小鎮(zhèn)的重要經(jīng)濟(jì)支柱石膏廠倒閉，人去鎮(zhèn)空，這里的郵政編碼也被取消。丈夫去世后，幾乎在在昂皮爾小鎮(zhèn)度過(guò)了一生的弗恩（弗蘭西斯·麥克多蒙德飾）無(wú)力獨(dú)撐生活。為了將生活成本壓到最低，她將簡(jiǎn)陋的家當(dāng)搬上了改裝后的廂式貨車，開(kāi)始了一邊打工、一邊西行的公路生活。她在亞馬遜流水線上、在游樂(lè)園的咖啡廳里、在國(guó)家森林公園做臨時(shí)工。一路上，她和許多廂式貨車寄居者相遇、相識(shí)，彼此幫助，并締結(jié)了友誼。
午夜微博
鄧紫衣,唐禹哲,杜娟,劉羽琦,洪一平,劉鵬夜深人靜，荒郊野嶺。幾名青年男女去永寧縣某廢棄工廠探險(xiǎn)，并全程微博直播。他們?yōu)樽约旱臒o(wú)知和膽大妄為付出巨大代價(jià)，最終一死一瘋，另外兩人昏迷不醒，還有一人下落不明。美麗女記者蕭薇（鄧紫衣 飾）的妹妹霈霈及其朋友子妍正是這場(chǎng)意外的受害者，從醫(yī)生口中得知，妹妹她們出事前一定受到常人難以想象的驚嚇。蕭薇的搭檔阿康（唐禹哲 飾）調(diào)查后發(fā)現(xiàn)，霈霈她們前幾日都曾被某神秘微博帳戶@，之后在她們微博中便各自出現(xiàn)一個(gè)倒計(jì)時(shí)的畫面，而業(yè)已歸零的正是當(dāng)前的死者子妍。 絕不相信鬼神傳說(shuō)的蕭薇，決定親自涉足永寧工廠一探究竟。伴隨蕭薇和阿康的追查，恐怖真相慢慢浮出水面……
相會(huì)在昨天
伊登·鄧肯-史密斯,亞斯特羅,瑪莎·斯蒂芬妮·布萊克,邁拉·盧克利希亞·泰勒,達(dá)馬里斯·劉易斯,弗蘭克·哈茨,布瑞特·G·史密斯,伊恩·安特曼,小巴靈頓·沃特斯,Dante Crichlow,Wavyy Jonez,Taliyah Whitaker,Johnathan Nieves,Manny Ure?a,Khail Bryant,Allen Holloway,Ejyp Johnson一對(duì)黑人兄妹相依為命，哥哥卻被白人警察誤殺，你猜猜她會(huì)怎么辦？對(duì)抗強(qiáng)權(quán)為黑人群體發(fā)聲？并不，妹妹居然造了一架時(shí)光機(jī)器，回到過(guò)去好讓自己的哥哥免于槍殺！
柔似蜜
劉玉玲,勞倫斯·壽,奧賴恩·李,詹妮弗·林,胡紫蕊,陳清仁,伊萊文·李,安季·德貝尼德托,蘇珊·波爾法,杰森.托特納姆,戴夫·沙蘭斯基,達(dá)納·德·塞里斯,安東尼·科米斯,埃里克·萊威頓,格蕾絲·沈,凱特·凱林,扎克·卡爾德隆,阿蒂卡斯·埃爾薩斯,施安·湯姆林森,亞當(dāng)·錢勒·貝勒特,約瑟夫·Y·李,弗蘭妮·馬斯,喬·梅改編自Frank Shyong撰寫的《洛杉磯時(shí)報(bào)》報(bào)道《一個(gè)垂死母親的計(jì)劃》(A Dying Mother’s Plan)。來(lái)自真實(shí)事件，被形容為“讓人心碎的故事，聚焦理解心理疾病的多層面的重要性，尤其是亞裔社群中”，講述在圣蓋博谷，一個(gè)患上癌癥絕癥的母親奮力想要幫助自己情緒不穩(wěn)定的兒子——她發(fā)現(xiàn)兒子對(duì)大規(guī)模槍擊案越發(fā)沉迷。
箱男
永瀨正敏,淺野忠信,佐藤浩市,白本彩奈,澀川清彥,中村優(yōu)子,川瀨陽(yáng)太這部1973年的小說(shuō)由安部公房創(chuàng)作，講述了一位無(wú)名男子放棄自己的身份，頭頂一個(gè)大紙箱生活的故事。在東京街頭游蕩時(shí)，他遇到了各種各樣的人物。