易爾先生

★ 6.4 播放：99萬 更新：2026-04-24

影片改編自享譽世界的比利時法語偵探小說家喬治 西默農(nóng)（Georges Simenon，1903年12月12日~1989年9月4日）發(fā)表于1933年的偵探小說《伊爾先生的訂婚儀式》（Les Fian ccedil;ailles de M. Hire）。　老裁縫伊爾先生Monsieur Hire（米歇爾勃朗飾）平日沉默寡言，孤獨一人住在公寓里，一日，22歲的鄰居姑娘皮埃蕾特 布儒瓦Pierrette Bourgeois（米蕾葉貝爾東飾）被人殘殺于灌木叢中，平素行為古怪的老單身漢伊爾成了眾人眼中的疑兇，而真正的兇手卻是一個叫埃米爾 Emile（呂克 蒂利耶飾）的青年。伊爾先生知道這一事實，但他卻沒有揭發(fā)埃米爾，也沒做任何的辨解，因為，他深愛著埃米爾的女友阿麗斯Alice（桑德琳娜博奈爾飾），害怕埃米爾的兇殺案會把她牽連進(jìn)去。而當(dāng)兇殺案真相大白時，伊爾先生用盡辦法準(zhǔn)備與阿麗斯雙雙逃走，但阿麗斯為解救埃米爾卻嫁禍給伊爾。　　

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劇情簡介

影片改編自享譽世界的比利時法語偵探小說家喬治 西默農(nóng)（Georges Simenon，1903年12月12日~1989年9月4日）發(fā)表于1933年的偵探小說《伊爾先生的訂婚儀式》（Les Fian ccedil;ailles de M. Hire）。　老裁縫伊爾先生Monsieur Hire（米歇爾勃朗飾）平日沉默寡言，孤獨一人住在公寓里，一日，22歲的鄰居姑娘皮埃蕾特 布儒瓦Pierrette Bourgeois（米蕾葉貝爾東飾）被人殘殺于灌木叢中，平素行為古怪的老單身漢伊爾成了眾人眼中的疑兇，而真正的兇手卻是一個叫埃米爾 Emile（呂克 蒂利耶飾）的青年。伊爾先生知道這一事實，但他卻沒有揭發(fā)埃米爾，也沒做任何的辨解，因為，他深愛著埃米爾的女友阿麗斯Alice（桑德琳娜博奈爾飾），害怕埃米爾的兇殺案會把她牽連進(jìn)去。而當(dāng)兇殺案真相大白時，伊爾先生用盡辦法準(zhǔn)備與阿麗斯雙雙逃走，但阿麗斯為解救埃米爾卻嫁禍給伊爾。　　

導(dǎo)演精選

失落的世界1960

　　The boisterous, arrogant professor Challenger, a reputed biologist and anthropologist, dares the London Zoological Society to mount an expedition to verify his spectacular claim, without physical proof, that his previous expedition to the Amazonian basin found live dinosaurs. Apart from him and his 'socialite' counterpart, professor Summerlee, it consists of experienced discoverer Lord Roxbury, the young reporter Ed Malone -who got publicly struck down with Challenger's umbrella at his arrival- and Jennifer Holmes, Malone's news agency's boss's daughter, essentially as conditions for putting up the money. In Brazil they are joined by Jennifer's brother David and local 'guide' Manuel Gomez. They soon discover the dinosaurs are real and dangerous, like giant spiders, but loose their helicopter and thus are desperate for a way down from the isolated plateau. They learn Roxbury knew about the fate of Burton White, an explorer whose diary they find, thus presume to be dead, in search of diamonds, and confirmation of the local tribe being the lethal guardians of the plateau's secrets, but also get surprising help...

木乃伊2026

 一個被埋藏的秘密，正準(zhǔn)備被揭開。失蹤多年的凱蒂突然回來，但回來的，真的還是原本的她嗎？那些看似“好轉(zhuǎn)”的變化，其實，是另一種腐敗的開始。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.