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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
復仇1978
塞爾玖·尼古拉耶斯庫,J·迪尼克,J·康斯坦丁故事發生在1941年,希特勒支持的羅馬尼亞鐵衛軍到處殘害人民,迫害共產黨員,陰謀進行顛覆,取代安東尼斯庫政權,其中鐵衛軍隊長巴拉班尤其嗜殺成性。安東尼斯庫政權保安機關的警長(后升為警察總監)莫多萬在羅馬尼亞共產黨支持下,單槍匹馬深入虎穴和以巴拉班為首的鐵衛軍展開血腥斗殺......
女孩白日夢
鄭筠熹,尤柏耘,鄭景文,古峰畢業在即,陳莉莉這位志向成為小說家的學生正努力克服拖延,面對現實與夢想的交錯,她能否完成自己的小說,勇敢邁向新生活?
春之祭
Anessa Ramsey,Shanna Forrestall,AJ Bowen夜深人靜之時,年輕女子瑞切爾(Anessa Ramsey 飾)和艾莉莎(Hannah Bryan 飾)突然遭到神秘之人的襲擊和綁架。當她們清醒過來后,發現自己正被綁在一座谷倉中,戴著面具的恐怖男子為她們舉行邪氣逼人的儀式。另一方面,受債務困擾的男人本(AJ Bowen 飾)聯合女友艾米(卡瑟琳·蘭道夫 Katherine Randolph 飾)、弟弟湯米(安德魯·布瑞蘭 Andrew Breland 飾)以及陌生男人保羅(Sonny Marinelli 飾)策劃綁架了富有商人瑞恩·海登(詹姆斯·巴茲 James Bartz 飾)的女兒,并索取高達兩百萬美元的贖金。 正當本和保羅眾人為了贖金起整治的時候,死里逃生的瑞切爾突然出現,隨之而來的還有殘忍的春之祭殺人魔……
預見者
Michael Piccirilli, Pamelyn Chee, Anthony Bishop一項革命性的人類基因研究計劃,為預防疾病與犯罪帶來了莫大幫助,身為研究員的一份子,希歐多不但致力于生命的發展與延續,還有個能預知他人死亡的特殊能力。不過這次他的能力卻陰錯陽差害死了自己的女友安娜,內疚不已的希歐多以悲傷度日,直到一個月過去,安娜竟又活生生地出現在他面前?