影片推薦
雛菊2006
全智賢,鄭雨盛,李成宰,姜大衛(wèi),林迪安裂口女2
飛鳥凜,川村雪繪,巖佐真悠子,真山明大,谷口賢志,草野康太,中野英雄,齋藤洋介,林未紀(jì)導(dǎo)火線2025
亞倫·泰勒-約翰遜,西奧·詹姆斯,薩姆·沃辛頓,古古·姆巴塔-勞,盧克·梅伯利,豪爾赫·萊昂·馬丁內(nèi)斯,莎芙蓉·霍金,奧諾·斯溫頓·伯恩,阿歷克斯·阿諾,納比勒·埃盧比,勞里·鄧肯,帕特里克·皮爾森,埃勒姆·埃哈斯,亞倫·龍,George Pavlidis,Karen Seacombe,納維德·汗,伊恩·弗萊徹,Amie Francis,阿圖爾·夏爾馬兩架鋼琴
弗朗索瓦·西維爾,娜迪亞·特列什科維奇,夏洛特·蘭普林,伊波利特·吉拉爾多,阿爾芭·貝露琪,Anne Kessler,杰里米·勒溫,Marianne Pommier,Valentin Picard,Laura Caselli,Keith Farquhar,梅蘭妮·古思,帕斯夸萊·當(dāng)卡,Micha?l Ma?no,Rafa?l Reves,雅尼塞·科巴卜,Guillaume Benit,Guillaume Arnoldi,Erwan Vin,Déborah Lamy母親2020
長澤雅美,奧平大兼,阿部隆史,郡司翔,夏帆,皆川猿時(shí),仲野太賀,木野花,土村芳,荒卷全紀(jì),大西信滿,淺田芭路鱷魚變
貝弗利·加蘭,布魯斯·班尼特,小朗·錢尼,喬治·麥克雷迪同類精選
牢獄鴛
華萊士·比里,切斯特·莫里斯,羅伯特·蒙哥馬利一個(gè)拳手
王一鳴,任珅,梁國榮教皇行動(dòng)
卡羅利娜·格魯什卡,博古斯瓦夫·林達(dá),伊雷紐什·喬普超乎想象2
丹尼斯·奎德,阿莉爾·凱貝爾,米洛·文堤米利亞,索菲亞·斯凱爾頓,喬比·詹姆斯,特雷斯·阿德金斯,約書亞·巴塞特,安赫拉·約翰遜,杰森·伯基,Del Sable,艾比·格洛弗,薩米·戴爾,妮可兒·德伯特,蘭迪·麥克道維爾基佬四十
林子祥,陳小春,吳鎮(zhèn)宇,伍詠薇,林建明,毛俊輝,舒淇,楊恭如,張堅(jiān)庭,張同祖,袁詠儀阿姆魯姆
Jasper Billerbeck,勞拉·湯克,麗莎·哈格邁斯特,Kian K?ppke,拉爾斯·耶森,德特勒夫·布克,馬提亞斯·施維赫夫,黛安·克魯格,德克·伯林,哈克·波姆,Tony Can,Rita Feldmeier,馬克·哈洛夫,Morten Bo Heine,馬克斯·霍普,Polli Leuner,Jorid Lukaczik,Bernd Moss,Florentine Panizza,Thomas Perkins影視排行
異形地球
Belinda Mayne,Mark Bodin,Roberto Barrese劇情大概: 一個(gè)執(zhí)行太空任務(wù)從宇宙歸來的太空艙里的船員被天外異形下了藥變成了可怕的怪物,這種異形能寄生到人體使其發(fā)生肢體變異。同時(shí)期一組洞穴探險(xiǎn)員來到城市郊外溶洞探險(xiǎn),沒想到此地已經(jīng)被異形占領(lǐng),他們只能靠本能來逃脫異形所設(shè)下的種種陷阱……(說起山寨,意大利人才應(yīng)該算是鼻祖吧,就如同這部電影標(biāo)題一般…不要對這部電影有任何企圖,他只會讓你變成撲克臉- -) 血腥度:4 片中怪物數(shù)量:? 怪物類型:外星生物 怪物特點(diǎn):寄生 怪物必殺技:變形 怪物惡心度:3
交響詩篇超進(jìn)化3
內(nèi)詳暫無簡介
遮天劇場版背棺戰(zhàn)王騰
葉凡與王騰雙天驕宿命對決,北原王家來勢洶洶,姬家老祖心懷鬼胎,姬紫月淪為家族聯(lián)姻工具,葉凡身陷眾矢之的。荒古圣體碰撞亂古傳承,誰才具真正大帝之姿?
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster