善良的妻子

★ 5.8 播放：04萬 更新：2026-04-22
主演：未知

Taejoon（李相勛）和SEO妍（公園敏京）把自己生活的城市，開始在一個寧靜的鄉(xiāng)村。Taejoon還學(xué)習(xí)如何農(nóng)場，他沒有幾年的水果豐收。他被強(qiáng)調(diào)和責(zé)備的土壤。SEO賢建議他們開始分享房子來減輕自己的壓力。他們請了一個新的家庭為他們的房子為“分享”，Hwai（LeeJaeun）。她是一個小說家，她寫她與另一個男人的經(jīng)驗。她與Taejoon在過去的一個事件。她恨他還是愛他，無法超越他，所以她一路走下去。她接管這曾經(jīng)是Taejoon和徐鉉的空房子。懷的壓力，Taejoon和被他引誘SEO鉉的木工老師Jae邊（KimSeonhyeok）。Hwai搖了SEO賢試圖讓Taejoon她而SEO賢努力保護(hù)她的家庭。

在線播放

劇情簡介

Taejoon（李相勛）和SEO妍（公園敏京）把自己生活的城市，開始在一個寧靜的鄉(xiāng)村。Taejoon還學(xué)習(xí)如何農(nóng)場，他沒有幾年的水果豐收。他被強(qiáng)調(diào)和責(zé)備的土壤。SEO賢建議他們開始分享房子來減輕自己的壓力。他們請了一個新的家庭為他們的房子為“分享”，Hwai（LeeJaeun）。她是一個小說家，她寫她與另一個男人的經(jīng)驗。她與Taejoon在過去的一個事件。她恨他還是愛他，無法超越他，所以她一路走下去。她接管這曾經(jīng)是Taejoon和徐鉉的空房子。懷的壓力，Taejoon和被他引誘SEO鉉的木工老師Jae邊（KimSeonhyeok）。Hwai搖了SEO賢試圖讓Taejoon她而SEO賢努力保護(hù)她的家庭。

導(dǎo)演精選

餓狼傳說：滿月殺手

　　曾經(jīng)馳騁戰(zhàn)場的退伍老兵安布羅斯·麥金利（Nick Damici 飾）終究也抵擋不了衰老和死亡的侵襲，妻子早年去世，兒子威爾（伊桑·恩布里 Ethan Embry 飾）兀自忙著事業(yè)，父子關(guān)系雖不冷淡卻也絕非親近，雙目失明的安布羅斯搭乘著兒子的汽車搬入名為克萊森特灣的老年社區(qū)，陪伴他的只有一條忠誠的狗狗。搬入當(dāng)晚，住在隔壁的老婦人被一只餓狼模樣的怪獸襲擊身亡，而安布羅斯則經(jīng)歷了極其恐怖且終生難忘的夜晚。從醫(yī)生口中得知，該社區(qū)每個月都會發(fā)生一次類似案件，但警方無一例外都將其歸咎為普通的野獸所為。　　得不到親人的救助，更無法奢望父母的庇護(hù)，安布羅斯只能融入社區(qū)，尋找拯救自己的辦法……

月球漫步2024

對于16歲的女孩Jung-hee來說，一年中最困難的一天是她祖母的陣亡將士紀(jì)念日。鄭熙通常很難和酗酒的母親相處，但在這一天，她大喊大叫的祖父的妹妹來了。她每年都會責(zé)罵正熙的母親和叔叔，問她為什么為自殺的祖母做追悼會，而不考慮找到離家出走的祖父。自從他的祖父在正熙出生的那天失蹤后，正熙不知怎么地覺得這是她的錯。所以Jung-hee決定去冒險，在那里她可以解開所有的秘密，結(jié)束她母親的青春期。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.